Gigi Kopp

Sacred music written for female singers and instrumentalists of the Ospedali became celebrated during the 18th century. This unique musical tradition became widely famous largely through the works of such notable composers as Vivaldi, Hasse, Porpora and Galuppi, who were active as teachers at the four "Ospedali grandi".

Shore-to-shore etheric dub techno bliss by Italian pioneer Gigi Masin and Detroit’s Rod Modell of DeepChord, beautifully consolidating their respective aesthetics on two durational trips.
For many listeners of a sanguine disposition, ‘Red Hair Girl At Lighthouse Beach’ is a marriage made in ambient heaven. The two pieces find them at a certain position in their career arcs where both are particularly porous to collaborative energies, and are now understandably brought together by Silentes’ 13 series. With Gigi beaming from the shores of the Venetian lagoon, and Modell transmitting from the lakes of Michigan, they arrive at a sympathetic union of floating choral castles in the sky buoyed by systolic subbass thrum and bathed in moonlight…

If you want to hear how Frank Morgan sounded during his youth, the first album to purchase is the 1955 gem Introducing Frank Morgan. After that, look for Bird Calls, Vol. 2, a reissue spotlighting Morgan in 1954 and fellow alto saxophonist Gigi Gryce in 1955. The main things that the two bop sessions have in common are the presence of drummer Kenny Clarke and the influence of Charlie Parker - Morgan and Gryce were both greatly influenced by Bird's playing yet had attractive tones of their own. Morgan was only 21 when the 1954 session was recorded, and the altoist forms a sextet with tenor saxman Walter Benton and pianist Gerald Wiggins as well as three-fourths of the Modern Jazz Quartet's original pre-Connie Kay lineup: Clarke, vibist Milt Jackson, and bassist Percy Heath…