Giorgio De Vinscent

Comment survivre en ville ? Le monde va mal. Nous entrons dans une période d'accélération et de convergence de problèmes considérables : surpopulation, pénurie de pétrole et de matières premières, dérèglements climatiques, mondialisation débridée, dettes colossales, crises économiques, politiques, sociales, alimentaires, sanitaires…

The production of the award-winning composer Carlo Alessandro Landini is enriched with this publication of a sacred page - not common for the maestro - of rare difficulty. Difficulty due not only to the essence of a text like that of a mass, so full of substance and meaning that it makes your wrists tremble at the idea of ?translating them into music, but also to the inevitable confrontation with the greatest geniuses in history who, from the Middle Ages to the present days, have tried their hand at this genre. Landini uses for his work an acappella vocal group (the Ensemble Fleur-de-Lys, directed by maestro Giorgio Ubaldi), in a sort of return to the purest essence of musical expression, the ancestral and at the same time always modern that comes from the human voice alone. A look therefore to the past great polyphonic traditions that finds it's reason in a modernity that has now overcome the 'sterility' of many avant-gardes that, through pure research, however, have not reached the completing of the art form.

Depuis longtemps, les mathématiques se sont offertes à nous faire comprendre les structures du réel. Et la révolution scientifique du dix-septième siècle en a fait un instrument essentiel pour agir la nature.
Cette mathématisation du réel a pris une forme moderne originale, celle de la modélisation. Substituant l'analogie mathématique à l'analogie mécanique, la modélisation renonce à toute image unifiée de la nature et simultanément étend le champ de la mathématisation aux sciences non physiques, de la biologie à l'économie. …

“Belgian pianist Matthieu Idmtal creates a wonderfully colorful and profound universe that not only surprised me, but even more completely captivated me. His great technical vocabulary leads to an interpretation that combines a refined sound with penetrating expressiveness in a sublime way.” – Opus Klassiek