Giorgio Ferrera Trio

The name of violinist and conductor Evaristo Felice Dall'Abaco does not necessarily spring to one's lips when significant figures of the late Baroque period are under consideration. To summarize, he was a contemporary of Antonio Vivaldi and the Veronese-born master of music attached to the court of Maximilian II Emanuel, Elector of Bavaria. As such, Dall'Abaco spent the first 11 years of his tenure in exile with the Elector in the Netherlands, and later, in France.

Music patronage is something many musicians today look back to with deep nostalgia. The presence of rich, frequently aristocratic men and women who liked to spend a conspicuous part of their wealth on music, thus providing bread and opportunities to countless composers and performers, is regarded as a true blessing for art history and for those who lived it.

“Belgian pianist Matthieu Idmtal creates a wonderfully colorful and profound universe that not only surprised me, but even more completely captivated me. His great technical vocabulary leads to an interpretation that combines a refined sound with penetrating expressiveness in a sublime way.” – Opus Klassiek

One of the most prominent and influential Italian jazz musicians, pianist/composer Giorgio Gaslini's music wed elements of 20th century classical music (serialism, aleatory) with avant-garde jazz and pop idioms; he termed his widely encompassing style "total music." Gaslini took piano lessons as a child and began performing at the age of 13. He formed and recorded with a jazz trio at the age of 16, and at 19 he performed at the International Jazz Festival in Florence. Gaslini attended the Conservatorio in his home town of Milan, studying composition, conducting, and piano. Gaslini's interests were varied; in the late '50s and early '60s he led a jazz quartet, composed for film, and led several Italian symphony orchestras…