If you're already a fan of Russian music of the Imperial Age, you already know at least the name Mily Balakirev, the living link between Glinka, the father of Russian music, and Mussorgsky, Borodin, and Rimsky-Korsakov, the composer who sacrificed much of his composing time to his pupils and part of his life to his insanity, but who nevertheless turned out indubitable masterpieces in several genres. The First Symphony and the symphonic poem Tamara are probably his best-known orchestral works, but his best-known single work in any genre is certainly his Islamy, the piece of pseudo-ethnic, super-virtuoso sex-dance music that Russian pianists still occasionally trot out as an encore.
This is the second volume of the complete piano works of Manuel Blasco de Nebra (Sevilla 1750-1784). It contains ten out of the twelve sonatas found Montserrat?s Abbey and which are mainly articulated into two movements (Adagio y Allegro). Pedro Piquero maintains in this CD the interpretative quality and clarity he already applied in vol. 1, and this allows us elucidating the risky proposals of the composer as well as enjoying this exquisite music.
Selim Palmgren’s piano miniatures were extremely popular during his lifetime and were played by the great virtuosos of the day. The sixth volume in this acclaimed series presents a panorama of Palmgren’s works and includes two of his greatest and most important solo pieces – the suite Ungdom, Op. 28 laced with Impressionist and Finnish folk elements, and the Three Piano Pieces, Op. 54 which includes Raindrops and Moonlight, two of his best-known and most atmospheric works. Also included are Lisztian virtuoso studies, Hungarian evocations, and a beautiful, moving Prelude funebre that was played at Palmgren’s own funeral. Jouni Somero, Palmgren’s greatest modern exponent, continues his historic survey of piano music by one of Finland’s most respected and admired composers.
Selim Palmgren, a native of Finland and a student of Busoni, was one of the most prominent and prolific Nordic composer-pianists since Edvard Grieg, with works that were widely performed by some of the most notable concert pianists of his day. From early pieces influenced by Chopin via the tour de force of his only surviving Piano Sonata, to the darker Autumn Prologue – this is the first volume of a complete edition that includes première recordings of unpublished works, showcasing every side of Palmgren’s varied character.
Selim Palmgren, a student of Busoni, was one of the most prominent Finnish composer-pianists of his time, and his pieces for pedagogical use such as Kevätauerta (‘Spring Haze’) are still popular today. This programme reveals Palmgren’s versatility to the full, with the Deux contrastes describing opposite poles of melancholy and joyous playfulness, and the dreamy Prelude-Nocturne a jazz-tinted reminiscence of 1920s America. Displaying a wide variety of technical and stylistic challenges, Palmgren’s 24 Preludes also features one of the first examples of Impressionism in Nordic piano literature.
For many years the Busoni student Selim Palmgren was the most frequently performed Finnish composer after Sibelius. With a portfolio of nearly 400 piano works, his contribution to the prestige of the Nordic repertoire was significant both in scope and creative artistry. This fifth volume of Palmgrens complete solo piano music explores oriental moods in Exotic March, Op. 46, and includes two of his best-known and most beautiful pieces, Aftonrster, Op. 47, No. 1 (Evening Whispers) and the winter magic of Snflingor, Op. 57, No. 2 (Snowflakes). The Sonatine in F major, Op. 93 marked Palmgrens return to composition after the death of his wife five years earlier and enshrines nostalgia whilst hinting at neo-Classicism.
Selim Palmgren, a student of Busoni, was one of the leading Nordic composers during the first decades of the 20th century. His wide-ranging music for piano was performed and recorded by some of the greatest artists of the day. This third volume in the first complete cycle of Palmgren’s piano music on disc includes a varied cross-section of works written over a 50-year period. It includes the youthful Lyriskt intermezzo, Op. 8, romantic miniatures of great charm—as well as one of his greatest achievements, the atmospheric suite Kevät (‘Spring’), in which impressionist elements fuse with rich Finnish folk melody.
Jouni Somero's acclaimed survey of Palmgren's complete piano works continues with this eighth volume (of ten) in the series. The album features a diverse range of styles from concert studies to country dances, and all but one of the tracks are world premiere recordings.