Ronald Binge was responsible for creating in 1951 the ‘cascading strings’ sound that made the Mantovani Orchestra famous throughout the world. This was achieved purely by clever scoring, dividing the violins into several parts, each allotted a different melody-note in turn, which they sustain and then fade out, until called upon to move elsewhere. Binge’s inspiration came from his love of church music, particularly Monteverdi. Composers of sacred music had to allow for the long reverberation inevitable in cathedrals, and this is reflected in their writing. The first big success was ‘Charmaine’, followed by many others that made Mantovani’s albums million-sellers, especially in the USA. Binge’s association with Mantovani dates from 1935 when he played in, and did all the arrangements for, Mantovani’s Tipica Orchestra…
AVID Jazz continues with its Four Classic Albums series with a finely re-mastered 2CD release from John Coltrane with The Red Garland Trio & Quintet.
2008 eight CD box set. Cherry Red Records marks it's 30th Anniversary in style with this lavish 185 track boxset. I'll Give You My Heart chronologically plots 61 single/EP a and B-sides from 1978 to 1983. Features 24 tracks from the U.K. Top 50 Indie chart including 12 Top 20 and two #1 hits. Includes cuts from Dead Kennedys, the Monochrome Set, Eyeless in Gaza, the Runaways, Marc Bolan, Everything But the Girl, Robert Wyatt and many more. A comprehensive 78 page booklet plots the story of Cherry Red Records and details many rare 7" and 12" picture sleeves. Features extensive interviews conducted by Alex Ogg with 'fly-on-the-wall' accounts from label founders and band members. Cherry Red.
Volume six in the complete recordings of trumpeter Red Nichols as reissued by the Classics Chronological Series consists of 25 Victor and Brunswick recordings dating from September 1930 through January 1931, and is especially recommended to those who enjoy Depression-era jazz and pop vocals, with the pop outweighing the jazz by a considerable margin. "On Revival Day," a topical novelty originally released in two parts on flipsides of a 78 rpm record, trombonist Jack Teagarden is backed by a vocal group billed as the Foursome. Forthwith, Nichols' ensemble is garnished at times with a couple of violins and is almost invariably dusted with sugary vocals by Scrappy Lambert, Dick Robertson, Eddie Thomas, Paul Small, and songwriter Harold Arlen…
Blue is the sixth studio album by Simply Red, released on East West Records on 19 May 1998. The album includes five cover versions: "Mellow My Mind" from the 1975 Neil Young album Tonight's the Night; two versions of the frequently covered "The Air That I Breathe", written by Albert Hammond and Mike Hazlewood; the Gregory Isaacs hit "Night Nurse"; and "Ghetto Girl" by Dennis Brown, from whom the band would cover another song in 2003. New versions of previously recorded Simply Red songs also appear here: "Come Get Me Angel" is a rewritten version of the 1996 single "Angel", and "Broken Man" was first released as a B-side in 1987. Mick Hucknall and the production team of Andy Wright and Gota Yashiki are the only musicians featured in the Blue CD booklet's photography; this is a first for a Simply Red album, as all prior albums featured photos of the various band members credited. "The Air That I Breathe Reprise" samples "Jack and Diane" by John Mellencamp.
Status Quo are to release another batch of deluxe two and three CD releases via Universal Music. Under the spotlight this time are the '1+9+8+2' album released to coincide with the 20th anniversary of the bands formation, 'Back To Back' from 1983, which features the last studio performances of original bass player Alan Lancaster before he left the band in late 1985, 'In The Army Now' (originally released in 1986) and its 1988 follow up, 'Ain't Complaining' which are all due for release by UMC/Mercury on Friday 28th September 2018.
"Raw" is an overused and sometimes misapplied term of admiration, especially in the realm of the blues, where it is all too often used as a euphemism for "incompetent and off-key." In the case of Louisiana Red's Back to the Black Bayou, however, it's the only apt descriptor, and it's fully justified as a term of praise: his sound is ragged-edged and fiery, though its center is utterly solid and his delivery is unfailingly powerful. Having lived in Germany since the early '80s, he went to neighboring Norway to record this album with producer and guitarist Little Victor, and even if the program leans heavily toward old and familiar material…
This October, Simply Red will release Remixed Vol. 1 (1985-2000) a two-CD collection of their hit singles in remixed form from the band’s first 15 years.