Girls I’ve Been

Soon to be a Netflix film starring Millie Bobbie Brown! In this feminist, suspenseful thriller the daughter of a con artist is taken hostage in a bank heist-and will need to tap into all her skills in order to survive.
A BUSTLE, REFINERY29, COSMOPOLITAN, BUZZFEED and MARIE CLAIRE MOST ANTICIPATED BOOK of 2021

«Sono venuta al mondo con una menzogna sulle labbra e la capacità di intortare chiunque.» Nora ha un talento naturale per l'inganno e il sotterfugio. Figlia di una truffatrice professionista specializzata nel raggirare i criminali, ha sempre dovuto fare da spalla alla madre. Finché, un giorno, quando quest'ultima si è innamorata di uno dei suoi bersagli, ha deciso di levare le tende. Per cinque anni ha vissuto una vita normale, ma le cose cambiano quando si ritrova a essere l'ostaggio durante una rapina in banca. Nora dovrà ricorrere a tutto il suo talento per uscire da una situazione così spinosa. Tuttavia, se i rapinatori pensano di averla inquadrata come una tranquilla ragazzina qualunque, si sbagliano di grosso, e se ne accorgeranno molto presto…

Frederick Knight (born August 15, 1944, Birmingham, Alabama) is an American R&B singer, songwriter and record producer. Knight recorded with Mercury and Capitol in New York before signing with Stax Records in 1972. He had his only UK hit single, "I've Been Lonely For So Long," in 1972. The song was on the chart for 10 weeks and reached #22. Lack of further chart activity leaves him labelled as a one-hit wonder. However, Knight did appear in the documentary film, Wattstax, which was released in 1973.

Produced by Dave Cobb, Other Girls is Mae’s second solo album. Her 2017 debut, Forever and then Some, was produced by Jack White, who Mae has been collaborating and performing with on and off since 2012. “It’s a little less folky,” Mae says of Other Girls. “I’ve been writing with more structure. It’s just time and influence, I reckon.” Mae spent the last year immersed in Nashville’s RCA Studio A, recording and taking a rare break from her intense touring schedule. “This has been the slowest year of my life,” she tells Rolling Stone. “I’ve played less than ever in history. It’s been really awesome to stretch that creative side and not just be hustling from gig to gig.”

Above the album worked the 'NOW Thats What I Call 80s ', and his release took place on 2021. The album has got songs with a total duration of more than an hour. A compilation is a compilation of original music.

It is an undeniable fact that the history of Motown Records was developed by "men" such as The Temptations, Four Tops, Smokey Robinson and Marvin Gaye. However, if you explore the flow of history a little deeper, you can actually confirm the existence of "women" there. According to the popular phrase “a woman in the shadow of history,” the history of this model record is no exception. On the surface, it is known that the female “stars” such as Diana Ross and The Supremes, The Marvelettes, and Mary Wells, who conquered the world, form an important part of history. Actually, there were more "women" playing an active part under the surface. The history of Motown Records may actually have been supported by them.

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Many moons have passed since Ace's last Motown Girls project was released but these things take time and a great deal of patience. Ace are confident followers of the series will find this new volume well worth the wait. The collection opens with In My Heart I Know It s Right, the first song Gladys Knight & the Pips recorded for Motown, and closes with the great Kim Weston in torch singer mode. In between you'll find some of the company's biggest stars - the Marvelettes, Brenda Holloway, Martha & the Vandellas alongside lesser-known collector's favourites such as Liz Lands and LaBrenda Ben.

2009 collection of '60s gems recorded by some of the finest (and oft-overlooked) female bands of the era. So you thought the Shangri-Las were a piece of work?! Destroy That Boy! Is a riot of bodacious all-girl bands, femme frat-rock, axe-backed babes and other similar females of the species from the 1963-1970 timescale. Compilation and notes by Mick Patrick. 24 tracks. Ace.