Giuseppe Sacconi

Since Westminster Mass (2000) established Roxanna Panufnik’s firm place among today’sleading British composers, she has often been celebrated for her choral music. Her instrumental and chamber works, however, are equally striking, filled with dazzling imagination and poetic lightness of touch. Her latest album Heartfelt encompasses compassion, tragedy and irresistible humour, while demonstrating her passion for exploring diverse musical cultures, from East Sussex to Myanmar.

LOOSENING is a double album of five works by award winning composer GRAHAM FITKIN. Each one has the string quartet at its core but every work includes its own additional soloist. The string quartet is a really homogenous group, steeped in history and tradition, in which timbrally similar instruments create a well-honed sound through trusted communication and shared purpose. Each work has clearly defined roles for the two protagonists – quartet and solist. Each piece allows for two perspectives, two distinct approaches to the material and yet each protagonist is affected by the other. Approaches often evolve through the works, perhaps the quartet splits their honed homogeneity to focus more on individual constituents or conversely maybe they subsume the incomer into their group creating a larger group. An album of world premiere recordings: Four of the five works have never been recorded before, and the fifth is a new arrangement (also never recorded). DISTIL won the prestigious Royal Philharmonic Society Prize for Chamber Works in 2015.

“The two towering masterpieces of the piano quintet genre on this disc were written seventy years and a thousand miles apart, but for all this, they are closely related” – Marina Frolova Walker. Signum artists Peter Donohoe and the Sacconi Quartet join forces to bring piano quintets by Sergey Taneyev and Robert Schumann in their latest album. They were among the last UK musicians to tour Russia in February 2020, before the twin devastations of COVID-19 and the subsequent war in Ukraine. Their performances of Taneyev’s spectacular Piano Quintet were received with universal acclaim by the Russian audiences, who seldom get to hear the music of Taneyev in their own country. This resulting album recording felt inevitable, coupling the Taneyev with Schumann’s earlier quintet, itself of such significance to Sergey Taneyev. Cover art is by Robert Schumann himself: a sketch of churches within the Kremlin made during his visit to Moscow in 1844.

Giuseppe Bruno graduated with honors in Piano, Composition and Conductorship with Professors Specchi, Zangelmi and Taverna. Maestro Bruno specialized in piano with Paolo Bordoni and in conductorship with Leopold Hager. He has attended a seminar in composition at the IRCAM in Paris. Performing for several years as a pianist in many different chamber ensembles as well as a brilliant soloist. He has played with many important orchestras in Italy, USA, Greece, Romania and Germany in a repertory that goes from Mozart to Dallapiccola. From 1987 to 1992 he participated in the “Due Mondi” festival in Spoleto Italy and in 1988 in the Charleston festival in the USA.

The year 1603 marked a turning point for Carlo Gesualdo: at the age of thirty-seven, the Prince of Venosa, having made a name for himself with his first four books of madrigals, turned to sacred compositions with two substantial collections of Sacræ Cantiones, published that year in Naples by Costantino Vitale. The first volume (presented here) consists of nineteen five-part motets, while the second one, which has not survived in its entirety, contains the same number of six- part motets and a motet for seven voices.