Oltre ad essere un’interprete di livello, la cantante Maria Pia De Vito ha al suo attivo progetti sempre interessanti e originali. Ricordiamo Il Pergolese, omaggio jazz alla musica del compositore settecentesco, e il recente Coraçao dedicato alla musica brasiliana con i testi tradotti in napoletano (ne abbiamo parlato in occasione di Umbria Jazz Winter 2017/18). Stavolta la musicista recupera la forma della moresca, antica danza di origine araba con i testi generalmente di carattere grottesco. Nella Napoli, città di origine della solista, questa forma fu molto popolare: uno degli artefici della sua riscoperta in tempi moderni è stato Roberto De Simone che l’ha inserita nella sua Gatta Cenerentola, ma al tempo stesso vari gruppi vocali (King’s Singers e Orlando Consort) la propongono nel loro repertorio.
Giuseppe Patanè (1 January 1932 – 29 May 1989) was an Italian opera conductor.
Giuseppe Patanè was born in Naples, the son of the conductor Franco Patanè (1908–1968), and studied in his native city. He made his debut there in 1951. He was principal conductor at the Linz opera from 1961 until 1962. He also was chief conductor of the Munich Radio Orchestra from 1985 until 1989.
Patanè collapsed suddenly from a heart attack while conducting a performance of Il barbiere di Siviglia at the Bavarian State Opera in Munich, on 29 May 1989. He was taken to hospital where he died. He and his wife Rita, from whom he was separated at the time of his death, had two daughters.
Puccini wrote arias like no other composer, from O Soave Fanciulla to O Mio Babbino Caro and of course Nessun Dorma. His operas are among the most performed worldwide – La Bohème, Madama Butterfly, Turandot, Manon Lescaut and Tosca are all featured here. Singers include Anna Netrebko, Plácido Domingo, Mirella Freni, José Carreras and Monsterrat Caballé among others.
In celebration of Christa Ludwig’s 90th birthday March 16th 2018, a Limited 12-CD Edition celebrates her impressive mezzo voice, displayed in excerpts from Bach’s sacred works, operas by Mozart, Beethoven, Wagner and Strauss; as well as Schubert Lieder; Mahler’s “Kindertotenlieder” and “Das Lied von der Erde”; and Bernstein conducting Bernstein. The collection also includes for the first time internationally on CD a witty and endearing interview of Ms. Ludwig discussing the conductors.