"This is certainly one of the most stunning productions in a house famous for stunning productions." (Newark Star-Ledger) "Behrens sang admirably in her own exciting style, with the bright tone and house-filling penetration that we have come to expect of this artist". (The New York Times) " Domingo's Cavaradossi is a gorgeous piece of singing". (New York magazine)
The indefatigable Antonio Florio, along with his associates from Cappella Neapolitana, has succeeded, with a work by Donato Ricchezza, in unearthing another major rediscovery from the Neapolitan Baroque. The labours of Florio – coupled with the ability to turn dry notes on a dusty manuscript into a sumptuous audio feast – can be no better demonstrated than with this release on Glossa of Los Santos Niños: “Oratorio di San Giusto e San Pastore”, written by a composer who was a pupil of the great Francesco Provenzale.
Decca pays tribute to Joan Sutherland - "La Stupenda" to her numerous fans - with a limited-edition 23-CD set of her complete studio recitals. Joan Sutherland shot to international fame in February1959 when she sang the title role in Lucia di Lammermoor at the Royal Opera House, Covent Garden, and a month later she recorded her first solo album in Paris for Decca - the start of an exclusive association that would last until her retirement from the operatic stage on 31 December 1990. This is the first time all of Joan Sutherland's studio recitals have been made available in a single collection and the set is released in time for what would have been the diva's 85th birthday on 7 November; October 10 marks the first anniversary of her death. The CDs are presented in sleeves with original cover art a 48-page booklet contains an appreciation of Joan Sutherland by opera wrter and critic George Hall.
Sono CD realmente meravigliosi, "summa" di tutti i brani più belli e poetici composti da Faber, in una splendida raccolta curata da Dori Ghezzi, sua compagna per la vita. Oltre all'indiscusso livello artistico dei brani, molto buona è la nuova masterizzazione, in grado di restituire a questi pezzi il loro affascinante "sound" originario.