Glamour Babes From Aubrey Gold Rebel Lynn Teen Temptation in Pdf

Lynn Miles' "Night In A Strange Town" works its hypnotic magic slowly and deliberately. Its effect on the listener is profound, powerful, but the songs require many listenings to truly grasp their ultimate rewards. The music is deceptively mellow and belie the pain, yearning and irony of the lyrics. Miles yearns for perfection but is resigned to the imperfection of life and love. "I've been hurting so long for the perfect romance but I could not taste the honey for the bees…sometimes it's ok to be brought to your knees," she movingly emotes in "Perfect Romance" The bitter irony in her songs is perfectly represented in the song "Wrong": "Love is not bitter, love is not cold, love is not a weapon." but "love gave you sad answers and a hurt that won't heal…"
Miles has fashioned a moving, perceptive triumph- a collection of songs that slowly creeps up on you and never lets you go. It is, unquestionably, a great tour de force from this excellent Canadian singer/songwriter.

In the pre-Beatle era, when British pop was a veritable smorgasbord of genres and musical ideas without a dominant narrative, Joe Meek sampled almost everything on offer. From novelty hits to sound effect laden masterpieces, straight forward pre-beat pop and light instrumentals to cinematic ballads, his work with excellent singers such as JOHN LEYTON and MIKE BERRY, alongside talented writers like GEOFF GODDARD and RAY DEXTER, always carried his signature studio techniques, still years ahead of many major commercial studios.

The Trashmen, a Minneapolis band, recorded the 1:20-minute "Surfin Bird" in the basement of George Garrett's record shop in the fall of 1963. Recorded in the basement of George Garrett's record store. When they played the tape to Bill Diehl, a DJ at Minneapolis radio station WDGY, he said it was too short and suggested they re-record it. The Trashmen were taken by Garrett to Kay Bank Studios four blocks away and re-recorded. Released in November on the Garrett label, "Surfin Bird" received airplay on WDGY, selling 3,000 copies in its first week and reaching #3 in Minneapolis in its second week. The record was distributed by Soma Records and was a hit everywhere, climbing to #4 in the U.S. in January 1964. The hit hit song "Crazy" galvanized Minneapolis teens, and many teen bands visited Kay Bank Studios to make records with Garrett, including The Gestures, who went on to become one of the most popular teen bands of all time. Some of these groups, like The Gestures and The Castaways, had national hits.This compilation is a collection of Soma Records/Kay Bank Studios-related material that captures the vibrancy of the Minneapolis teen scene from 1964 to 1966. It is full of the charm of the local teen garage scene, which was different from that of New York and Los Angeles, more down-to-earth and more "Bird Fever" than "British Fever".