Glauben 2016

For the 500th anniversary of the Reformation a collection of all 35 hymns by Luther is being released on a double CD for the first time. The Lutheran hymns in choral settings and chorale cantatas from the 16th century to the present day (including works by Praetorius, Scheidt, Bach, Mendelssohn, Jennefelt, and Schwemmer) are performed by the Kammerchor Stuttgart under the direction of Frieder Bernius and the Athesinus Consort Berlin conducted by Klaus-Martin Bresgott. The choral settings are complemented by chorale arrangements for organ. Extensive liner notes with meditations on selected hymns by Margot Käßmann, Frank-Walter Steinmeier, Markus Meckel, Judith Zander, Uwe Kolbe, and others complete the recordings.

Throughout most of his professional life, Johann Sebastian Bach composed cantatas for use at church services: it is thought that he probably wrote at least 300 such works. Some 200 of these are still extant, of which the earliest hail from Bach's time as organist in Arnstadt (1703-07) and the last were composed only a year or two before his death in 1750. In 1995, when Masaaki Suzuki and his Bach Collegium Japan began the monumental journey of recording the cantatas, they decided to follow in Bach's footsteps.

Joseph Kelemen is one of the most renowned organists of our time and has recorded quite a number of CDs for OehmsClassics. In this box, the label presents the recordings of the North German organ masters Vincent Lübeck, Matthias Weckmann, Nicolaus Bruhns, Heinrich Scheidemann, Jan Pieterszoon Sweelinck and the Praetorius “Family”.

Clavier-Übung Part III (pub 1739) is one of the great organ collections in Bach’s musical legacy. James Johnstone’s survey of his organ works begins with a performance on an instrument of German origin exactly contemporary with the music’s publication - the 1739-41 Joachim Wagner organ of Trondheim Cathedral.

This 50-CD collection of analogue albums aims to represent the heyday of Philips’ passion for great natural sound – the Stereo Years. There was a firm belief within the label’s team that recording technique was there to serve the music - the Musicians had their own views about how any given piece should be interpreted and how it should sound; the recording team’s job was to grasp that vision and make it a reality. This recording philosophy, combined with great artistry and visionary repertoire policy, created a special chapter in the history of classical music recordings that still inspires artists, sound engineers and collectors alike.

VIVARTE is the legendary Sony Classical period music label known for producing outstanding recordings on period instruments. The recordings by legendary producer Wolf Erichson are done with the best recording technologies and by one of the best production teams in the world (Tritonus Music Production, Stuttgart). The label started producing when Sony Classical was founded (in 1989). The production came to a standstill recently when Wolf Erichson retired and DHM became the new label of period music within Sony Classical. Among the outstanding artists which recorded for Vivarte are: Anner Bylsma, Gustav Leonhardt, Jos Van Immerseel, Tafelmusik, Huelgas Ensemble and others.

The first complete recording of works by Heinrich Schütz with the Dresdner Kammerchor under Hans-Christoph Rademann has set artistic and editorial benchmarks. The first eight instalments of the complete recording, containing among others the Geistliche Chor-Music 1648, the Italian Madrigals and the Psalms of David, are now being released in an 11 CD boxed set. The recordings have been supplemented with an Arthaus film entitled Heinrich Schütz. Der Vater der deutschen Musik which is a documentary by Jörg Kobel, with the assistance of Hans-Christoph Rademann, about the life and work of Heinrich Schütz.

The internationally acclaimed organist Stephen Farr presents his first J.S. Bach recording with the virtuosic Clavier-Übung III. Containing some of Bach's most stunning work, this collection demonstrates the composer at the height of his powers in composing for the organ and was one of the few works that Bach had published during his lifetime.
Recorded on the Metzler organ of Trinity College, Cambridge, this album follows Farr's contemporary organ recital on the same instrument released on Resonus Classics in 2012 - Jacquet's Ghost (RES10111). Clavier-Übung III is performed here in its entirety, complete with the four 'Duetti'.