Sink Or Swim, … is the brand new collection of guitar riddled blues rock music. These albums have been in the works for the last 18 months. So many songs written, over a hundred… and this is the cream of the crop. Classic blues rock treachery updated by thoughtful lyrics and punchy guitar. This is a work in four parts, by me: Gary Eisenbraun (singer / songwriter / guitar player / assorted mayhem maker). Rock and roll. Enjoy.
Due to her youth (16 when she first hit Myspace, 17 when signed to an imprint of EMI, and 18 when her debut album came out), perky-cute looks and extremely British diction, singer/songwriter Laura Marling got a lot of comparisons to Lily Allen in her early buzz, but the quietly compelling Alas I Cannot Swim is not at all a frothy pop confection. A folk-tinged AAA pop record based on Marling's alluringly husky voice and graceful acoustic guitar, Alas I Cannot Swim would be more aptly compared to the likes of Feist, Keren Ann, or Regina Spektor. (In the album's press kit, Marling reveals her primary influence to be Bonnie "Prince" Billy, which also seems appropriate.) Although not to draw too forbidding a comparison, opening track and first single "Ghosts" is most strongly reminiscent of Joni Mitchell circa For the Roses, both in Marling's expressive vocal phrasing and the expert shifts in the arrangement between solo acoustic passages and full-band sections, not to mention an excellently deployed string section. That old-school '70s singer/songwriter vibe predominates throughout the album, in fact.
Always restless and inventive while always true to the power and glory of songwriting and melody, Conor O’Brien has made another great leap forward with Villagers’ fourth studio album, The Art Of Pretending To Swim, released by Domino on Friday 21st September.