Golden Earring – To The Hilt

On To the Hilt, Golden Earring fully gives themselves over to the prog rock tendencies that they had toyed with throughout the 1970s. The resulting album has a strong prog feel but lacks the characteristic sound and the solid material that defined the group's best efforts to that point. The band puts in a typically energetic and thunderous performance, but their strong instrumental chops can't overcome the self-indulgent nature of much of the album's material: "Why Me?" and "Latin Lightning" are a few of the potentially interesting songs on To the Hilt that are undercut by dull, overlong sections of jamming. Said songs also lack the tight arrangements and the sudden, surprising instrumental twists that made the group's past epics so interesting.

This 1977 double-album opus represents Golden Earring's entry into the series of live albums that were so popular in the late '70s. At this point in its career, the band's live sound had a newfound sense of power, thanks to the addition of second guitarist Eelco Gelling…

Digitally remastered and expanded two CD + DVD 45th anniversary edition of the first Golden Earring live album. Remastered from the original IBC Studios master tapes, featuring 5 bonus tracks, including 3 previously unreleased recordings from the concert in Brugge in March 1977. Includes a 30-page booklet with a new essay, memorabilia, and photos. Live is the band's first live album released in 1977. With it's long, spun-out versions of classic Golden Earring songs, this record is vastly different from other live registrations by the band. It's also one of only three albums featuring guitarist Eelco Gelling as a band member, adding a new dimension to the band's sound. Furthermore, this album emphasizes Golden Earring's strong rhythm section on swinging songs like "Mad Love's Comin'" and "Radar Love".

This 1977 double-album opus represents Golden Earring's entry into the series of live albums that were so popular in the late '70s. At this point in its career, the band's live sound had a newfound sense of power, thanks to the addition of second guitarist Eelco Gelling. Indeed, classics like "Radar Love" and "She Flies on Strange Wings" benefit from a newfound complexity and energy that stems from the energetic guitar interplay between Gelling and George Kooymans. Golden Earring's new double-guitar sound also allows the group to overhaul some of its material in new and interesting ways.

After pursuing a strict art rock style on To the Hilt, Golden Earring altered its style once more on the band's next album. Golden Earring replaced keyboardist Robert Jan Stips with guitarist Eelco Gelling and put aside its art rock pretensions for a hard rock sound dominated by the group's new twin-guitar attack. The result was Contraband, the band's strongest album since Moontan. It starts powerfully with "Bombay," an exuberant blast whose elaborate arrangement works in plenty of atmospheric country-styled shadings into an otherwise hard rock track. Other highlights include "Mad Love's Comin'," a dazzlingly atmospheric rumination on romance that transforms from a tense acoustic blues into a spacy mid-tempo rocker worthy of Pink Floyd…