Gazeuse! was the first in a successful line of strictly jazz-rock sessions for percussionist Pierre Moerlen and company – compositions that stressed jazz more than rock and which generally strayed away from lyrical content. This 1976 recording, also released under the title Expresso, was the band's first completely instrumental album, a companion piece to the later, somewhat warmer Expresso II, which is quite similar in sound and structure…
Gong slowly came together in the late '60s when Australian guitarist Daevid Allen (ex-Soft Machine) began making music with his wife, singer Gilli Smyth, along with a shifting lineup of supporting musicians. Albums from this period include Magick Brother, Mystic Sister (1969) and the impromptu jam session Bananamoon (1971) featuring Robert Wyatt from the Soft Machine, Gary Wright from Spooky Tooth, and Maggie Bell…
Between Daevid Allen's departure from the band and Pierre Moerlen's official takeover of the band, there is Shamal. This transitional album contains none of the Allen-inspired psychedelia, but also very little of Moerlen's jazz influence. Shamal is, for the most part, a progressive rock album, half vocal, half instrumental. Its most accessible tune, the opening "Wingful of Eyes," had the potential for airplay if only it hadn't been so lengthy…
After a stint with Gong as their trippy, hippy, new agey guitar guru of cosmically and extremely raga-esque trance rock and improv heaven, Steve Hillage went solo. He branched out to carry his own version of the Gong gospel of personal freedom via his special blend of cosmic brotherhood, Eastern religion, new age, pyramids, ley lines, crystals, and some ferocious jazz fusion and progressive rock guitar blended with space rock synths. Hillage reinterprets some well-known tunes by other artists like Donovan and George Harrison here as well as penning some of his more memorable sonic treats. His awesome riffing and speedy solos on his Fender Strat rival those of Hendrix and Frank Marino but go further compositionally via exotic scales from other cultures…
Shamal is the sixth studio album by the progressive rock band Gong, released by Virgin Records in February 1976. The album was written and recorded without the group's founder member Daevid Allen, and consequently sounds different, with fewer of the hippie-flavoured eccentricities of the previous albums. Also, guitarist Steve Hillage and synth player/vocalist Miquette Giraudy left the band before recording began and only appeared on it as guests. The album was produced by Pink Floyd drummer Nick Mason.
A curious four-LP set consisting of the original version of Ommadawn, a vastly remixed version of Hergest Ridge, a remixed/remodeled version of Tubular Bells, and a platter called Collaborations in which Oldfield's bits on the recordings of others were excerpted, often with the result that sans context, the excerpts made little sense (certainly the case with Oldfield's work alongside David Bedford).
Recorded just before the band began cranking out their earliest hits on classic albums like Lovedrive and Animal Magnetism, Virgin Killer is the first of four studio releases that really defined the Scorpions and their urgent metallic sound that was to become highly influential…
Scorpions - Virgin Killer (1976). Virgin Killer is the first of four studio releases that really defined the Scorpions and their highly influential urgent metallic sound. It was released in 1976 and was the first album of the band to attract attention outside Europe. The album was a step in the band's shift from psychedelic music to hard rock. For the first time in the band's career the line-up stayed the same with Klaus Meine on vocals, Uli Jon Roth on lead guitar, Rudolf Schenker on rhythm guitar, Francis Buchholz on bass, and Rudy Lenners on drums. The nine tracks were laid down with Dieter Dierks producing. The band is in top form and churns out some melodic yet blistering heavy rock. Virgin Killer is full of heavy songs and exceptionally, fast, innovative guitar leads by Uli Jon Roth…