This Gottfried Michel Koenig collection is a definitive document of his pioneering innovations in electro-acoustic composition: spanning his Zwei Klavierstücke [1957] and other works created at the WDR, Cologne; thru his years at the Utrecht Institute For Sonology, and right up to his 60 Blätter for Streichtrio [1992]. If you’re into anything from Roland Kayn to Dave NYZ, Ligeti, Haswell or Æ, Koenig’s oeuvre is essential listening!
Composing and generating sound via computer technology as early as the mid-'60s, Gottfried Michael Koenig was a pivotal force in cementing the emerging relationship between music and electronics. Born in Magdeburg, Germany in 1926, Koenig studied composition at the Detmold School of Music before relocating to Bonn, where he pursued his interest in computer engineering. Between 1954 and 1964, he worked alongside Karlheinz Stockhausen at the electronic music studios of the Westdeutscher Rundfunk (WDR) in Cologne, collaborating with other aspiring composers including György Ligeti and Mauricio Kagel; in 1956, Koenig completed his first major electronic piece, Klangfiguren II, followed a year later by Essay.
The legendary DG Avantgarde vinyl series (1968-1971) is turning 55! In order to celebrate this occasion, the series is now released on 21 CDs for the first time. The Avantgarde series serves as a historical document for a time of radical change in musical thinking and the breaking of artistic boundaries. The question "What is music?" confronted many of the composers and musicians involved in the series, and the anti-authoritarian spirit of the 1960s and 1970s was a palpable influence. Deutsche Grammophon's Avantgarde Series reflects all the currents that thus arose, without aesthetic demarcations and across genres and instrumentations: large orchestral works stand alongside chamber music and solo forms, electronic music and improvisations.
Cornelius Cardew was the fundamental figure in the British avant-garde of the 1960s. Cardew grew up in Cornwall and at the age of 17 entered the Royal Academy of Music in London. Cardew developed an interest in electronic music, and in 1957 traveled to Germany to study in the Cologne-based electronic music studio of composer Gottfried Michael Koenig. Cardew then joined Karlheinz Stockhausen as his assistant. Cardew stayed with Stockhausen for three years, working on the latter's massive multi-orchestral work Carré.
Wolfgang Rihm (born in 1952) is one of the most important European composers of the late twentieth to early twenty first centuries, but his work is little known in America. He is famous for his productivity; before his 50th birthday, he had written over 400 pieces. The four concertos recorded here are similar in their manic energy, offering few moments of repose. The expressive directions for Music for oboe and orchestra include the instructions "as if overwound," "wild and funny," and "frantic," and those phrases aptly describe the effect of his work. Rihm is an unabashed modernist, and the surface of his music may be too prickly for some listeners, but it's deeply expressive, and at times very funny, such as at the end of the oboe concerto.
This disc is part of an ongoing series of re-issues of the Lp catalog of the CRI (Composer's Recordings Inc.) label. These important documents of 20th c. compositions have been out of print since the advent of the CD, but have now been transferred to digital files from the original master tapes in order to make them available once again.