"Wielding a nasty blues harp, a smokin' band and a gutsy, soulful rock and roll vocal style, Darrell Mansfield can go toe-to-toe with the best of them – and if you don't believe me, let your ears prove it to you with The Darrell Mansfield Ultimate Series Collection. In the annals of 'Christian rock' there aren't a whole lot of artists who can go up against the big boys from the other side of the fence and come away wiping the blood off their hands and smiling. You know what I mean – we're not talking about Bill Gaither here. Wielding a nasty blues harp, a smokin' band and a gutsy, soulful rock and roll vocal style, Darrell Mansfield can go toe-to-toe with the best of them – and if you don't believe me, let your ears prove it to you with The Darrell Mansfield Ultimate Series Collection.
"Wielding a nasty blues harp, a smokin' band and a gutsy, soulful rock and roll vocal style, Darrell Mansfield can go toe-to-toe with the best of them – and if you don't believe me, let your ears prove it to you with The Darrell Mansfield Ultimate Series Collection. In the annals of 'Christian rock' there aren't a whole lot of artists who can go up against the big boys from the other side of the fence and come away wiping the blood off their hands and smiling. You know what I mean – we're not talking about Bill Gaither here. Wielding a nasty blues harp, a smokin' band and a gutsy, soulful rock and roll vocal style, Darrell Mansfield can go toe-to-toe with the best of them – and if you don't believe me, let your ears prove it to you with The Darrell Mansfield Ultimate Series Collection.
The Vienna Art Orchestra is a 15-member jazz orchestra that features the avant-garde arrangements and compositions of its leader, pianist Mathias Ruegg. This is a reissue of their 1980 debut, an important document in the post-modern jazz movement. The opening, title track is a joyous, folkish tango that's been cartoonishly toyed with, featuring three solo sections. The marimba section is also ornamented with vocalese from Lauren Newton, followed by an extremely playful horn lead that sounds like a toy instrument. The solo offering from violinist Rudi Berger has an electronically effected fusion sound. A tight, alto sax solo by Wolfgang Puschnig ties everything together neatly with a lengthy, unaccompanied performance.
Allen Ginsberg understood as well as anyone that, in the latter half of the 20th century, rock & roll would be the medium through which poetry and social commentary would reach the young and hungry masses. He eagerly hopped a ride on the bandwagon, collaborating with Dylan, the Clash, and Cornershop; setting William Blake's Songs of Innocence and Experience to music; and teaching "Eleanor Rigby" to his English classes at Brooklyn College…