Grand Funk Railroad We're An American Band

Having made several changes in their business and musical efforts in 1972, Grand Funk Railroad made even more extensive ones in 1973, beginning with their name, which was officially truncated to "Grand Funk." And keyboardist Craig Frost, credited as a sideman on Phoenix, the previous album, was now a full-fledged bandmember, filling out the musical arrangements. The most notable change, however, came with the hiring of Todd Rundgren to produce the band's eighth album. Rundgren, a pop/rock artist in his own right, was also known for his producing abilities, and he gave Grand Funk exactly what they were looking for: We're an American Band sounded nothing like its muddy, plodding predecessors.

Having made several changes in their business and musical efforts in 1972, Grand Funk Railroad made even more extensive ones in 1973, beginning with their name, which was officially truncated to "Grand Funk." And keyboardist Craig Frost, credited as a sideman on Phoenix, the previous album, was now a full-fledged bandmember, filling out the musical arrangements. The most notable change, however, came with the hiring of Todd Rundgren to produce the band's eighth album. Rundgren, a pop/rock artist in his own right, was also known for his producing abilities, and he gave Grand Funk exactly what they were looking for: We're an American Band sounded nothing like its muddy, plodding predecessors. Sonically, the record was sharp and detailed and the band's playing was far tighter and more accomplished…

Having made several changes in their business and musical efforts in 1972, Grand Funk Railroad made even more extensive ones in 1973, beginning with their name, which was officially truncated to "Grand Funk." And keyboardist Craig Frost, credited as a sideman on Phoenix, the previous album, was now a full-fledged bandmember, filling out the musical arrangements…

Many people have thought many things about Grand Funk Railroad, but chances are, no one ever thought they were politically conscious, despite songs like "People Let's Stop the War," "Save the Land," and "Freedom Is for Children." That's only one of the reasons why the double-disc Bosnia seems so odd: it's hard to believe that the band had even heard of Bosnia, much less care about what was happening there…

Sounds of the Seventies was a 38-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early 1970s) in others; in addition, some volumes covered specific trends, such as music popular on album-oriented rock stations on the FM band. Each volume was issued on either compact disc, cassette or (with volumes issued prior to 1991) vinyl record.

It may not be the "ultimate" collection of hits from the 1970's, but this ten disc set does indeed offer 198 of the songs that helped define the decade. Happily, they are all original recordings by the original artists, as they were heard on the radio. True, in a few cases that means the selections are "radio edits" (Rod Stewart's 1971 hit "Maggie May", for example, is missing the 30 second instrumental introduction that was included on the original album, but rarely played over the airwaves), but why quibble? The songs, though not necessarily remastered, all sound great, and the set includes some genuine treasures that have not (yet) been offered on other compilations. Highly recommended!