Greasers.palace.1972

The Trip were but one of many Italian bands combining rock, classical, jazz, pop and folk to produce what is now known as the Italian rock renaissance. They are another three man classical rock band in the realm of the Nice and Le Orme. All four of their albums are completely different and bear the stamp of another international group or movement. "Caronte" was considered their best album by psych collectors. On their third, "Atlantide", The Trip looks squarely at Emerson, Lake & Palmer for inspiration. The both are recommended to ELP or Le Orme fans.

Mythos were fine purveyors of cosmic Krautrock, covering ground from space-tripping Pink Floyd via Ash Ra Tempel, onto Hawkwind and further by also blending in classical and ethnic themes.
Mythos emerged from the Berlin underground scene in 1969. Less known than others german bands and artists as Amon Düül, Klaus Schulze… they also signed their debut effort for the legendary ohr label. Their first two albums "Mythos" and "Dreamlab" represent Krautrock at its finest. The general mood of the band during that period was orientated to free space/psychedelic music with a lot of electric organs and keyboard parts. Their self title album includes acoustic and oriental elements as flute, sitar… which add a mystical flavor to the music.

The Peruvian band We All Together, though unknown beyond a core cluster of cultists, was among the prime exponents of Beatlesque pop/rock in the early '70s. Led by singer and frequent composer Carlos Guerrero, who (along with some other members) had been in the Peruvian rock band Laghonia, they released two albums (singing in English) in the first half of the '70s. These were fashioned after the lighter side of the late-'60s Beatles, particularly in the vocal harmonies, melodic tunes, and sophisticated arrangements blending keyboards, acoustic guitars, and electric guitars in a graceful manner. Although Lennon, McCartney, and for that matter, Harrison's influence, show up in We All Together's work, they had more of an affinity for McCartney's engaging melodicism, to the point of covering some obscure, early McCartney solo tunes.

In 2007 bassist Anneleen Boehme was one of the founders of LABtrio, which is considered as one of the most acclaimed Belgian jazz bands of the past decade. Just like her companions Lander Gyselinck and Bram De Looze, she quickly asserted herself in the most diverse contexts. Now Boehme is launching her "dream project": Grand Picture Palace. A jazz quintet and a string quartet that blend different worlds together. Boehme leads and plays bass and has been writing eight compositions that break through genre walls, music both powerful and elegant, showing how jazz and classical music can balance each other without cliches. All recordings were made in the early summer of 2020 in the studio of mentor and fellow musician Nicolas Rombouts. The self-titled album 'Grand Picture Palace' will be released on February 19th 2021.

Influenced by artists as diverse as Django Reinhardt and Daft Punk, Caravan Palace is the self-titled debut album from the French six-piece that combines big-band swing and Gypsy jazz with modern electro and hip-hop beats. Produced by Loïc Barrouk, the 2008 release includes the singles "Jolie Coquine" and "Suzy".

Caravan Palace is the debut studio album by the electro swing group Caravan Palace, released on 20 October 2008. The album performed best in the band's native France where it reached a peak chart position of No. 11 in August 2009, and remained on the French albums chart for 68 consecutive weeks. In 2009 it was awarded a gold certification from the Independent Music Companies Association.

Lithuanian-born Swedish artist Michael Palace is announcing today another chapter in the PALACE saga, his new record “Reckless Heart”, out on July 12th via Frontiers Music Srl. This explosive musical journey resurrects the essence of the 1980s, each track pulsating with the potential to score a classic action blockbuster or drive the adrenaline of a training montage. “It was time to go back to the roots, as they say, and finally make that true '80s AOR album that I’ve dreamt of creating since I started PALACE. It's the missing link between 1985 and 2024,” said Michael.