Greenslade Greenslade (1972) (2006 Remaster) RE Upload

Live At The Miss Black America Pageant is the 1972 album by The Moments. As the title and photos on the cover indicate, it was meant to be a live album recorded at the actual Miss Black America Pageant but in truth, it was completely recorded in the studio with the applause mixed in after the fact. sometimes not very well. The group also recorded Live At The New York State Womans Prison. They recorded many albums but gained much bigger success when they changed their name to Ray, Goodman & Brown and released "Special Lady". The is from a CD pressing released in 2006.

Aside from Roger Dean's iconic cover illustrations, Greenslade weren't like most prog brands of the 1970s. Keyboardist Dave Greenslade and bassist Tony Reeves formed the quartet in 1972 after leaving jazz-rock outfit Colosseum. Eschewing guitars, they hired Samurai's Dave Lawson as a second keyboardist, and former Manfred Mann drummer Andrew McCulloch (he also played on King Crimson's Lizard) . The band's approach utilized typical knotty, stop-and-start cadences, and key and tempo changes, but those are only a few elements in their complex soundscape. The rest of Greenslade's sound reflected a penchant for catchy melodies derived from pop, jazz, classical, and folk. Keyboardist Lawson spent years backing singers including Bing Crosby and Peggy Lee. Greenslade, Reeves, and McCulloch came up in the British blues and jump R&B bands of the early 1960s. The remastered albums in this box mark their four studio outings: 1973's Greenslade and Bedside Manners Are Extra, 1974's Spyglass Guest, and 1975's Time & Tide.

There is no doubt that Chic was disco's greatest band. Working in a heavily producer-dominated field, they were most definitely a band. By the time Chic appeared in the late '70s, disco was already heading toward mainstream saturation and an inevitable downfall. Chic bucked the trend by stripping disco's sound down to its basic elements. Specializing in stylish grooves with a uniquely organic sense of interplay, Chic's sound was anchored by the scratchy "chucking"-style rhythm guitar of Nile Rodgers, the indelible, widely imitated, and sometimes outright stolen basslines of Bernard Edwards, and the powerhouse drumming of Tony Thompson.

How's The Weather? is the 1972 debut album by Boston, Massachusetts trio Milkwood. The group consisted of Richard Otcasek, Benjamin Orzechowski. and Jason Goodkind. Richard Otcasek shortened his name to Ric Ocasek and Benjamin Orzechowski became Ben Orr and both formed The Cars. Whereabouts of Jason Goodkind is unknown. This was reissued in 2006 by the Japanese label Riverman.

Two CD set. Greenslade's innovative, groundbreaking and dynamic performances captured by the BBC on two discs. Featuring all of Greenslade's BBC sessions, recorded between 1973 and 1974. Includes two In Concert performances recorded a year apart, offering a glimpse of the excellence of the band in a live environment. 24-page booklet with an interview of Dave Greenslade and liner notes by Chris Welch Approx 120 mins of music, 20 tracks, fully remastered. Formed in September 1972 in the wake of Colosseum's split by ex-members keyboard player Dave Greenslade and bassist Tony Reeves, with keyboardist Dave Lawson and drummer Andrew McCulloch, Greenslade made their live debut at Frankfurt's Zoom Club in November 1972. In January 1973 Greenslade recorded their first BBC session for Bob Harris's Sounds Of The 70s and their TV debut followed a few weeks later, on BBC's The Old Grey Whistle Test.

The 1970s were not kind to the Kinks. While the band had already transitioned gracefully from their mod-ish British Invasion origins (and the heavy production thumb of Shel Talmy) into something more adventurous and artful with 1968's The Kinks Are the Village Green Preservation Society, that masterpiece's two iconic follow-ups (Arthur and Lola) found Ray Davies' weird twin penchants for acidic lyricism and music hall song structures becoming more and more dominant in the group's sound. By the time the 1971 soundtrack to Percy rolled around, U.S. audiences had all but forgotten about the band, who soon found themselves facing the same fate in their native England.

The 1970s were not kind to the Kinks. While the band had already transitioned gracefully from their mod-ish British Invasion origins (and the heavy production thumb of Shel Talmy) into something more adventurous and artful with 1968's The Kinks Are the Village Green Preservation Society, that masterpiece's two iconic follow-ups (Arthur and Lola) found Ray Davies' weird twin penchants for acidic lyricism and music hall song structures becoming more and more dominant in the group's sound.

A 3-CD / 1 LP / 1 Blu-ray super deluxe edition of one of defining rock albums of the 20th century, Deep Purple's Machine Head. The original album, remastered, is a comprehensive version introducing new mixes and previously unreleased live recordings, including a new mix of the original album on smokey purple vinyl. The 3-CDs feature new stereo by Dweezil Zappa, the 1974 quadraphonic mix, and a newly remastered version of the original album. The Super Deluxe Edition also contains two captivating live performances. The first, recorded on March 9, 1972, at the Paris Theatre in London, captures the group’s unrivaled stage presence during the “Machine Head Tour.” The second, previously unreleased, was recorded in April 1971 at the Montreux Casino in Switzerland. The band planned to record Machine Head there that December, but the venue burned down right before the sessions began, an event immortalized in “Smoke On The Water.” This extraordinary set includes new liner notes by Rolling Stone's Kory Grow, enhanced by contributions from generations of bands influenced by Deep Purple.

Few figures in 20th century American music had as pervasive an influence as David Crosby. As a founding member of the Byrds, he shaped the ringing sound of 1960s folk-rock and pioneered trippy psychedelia, yet his greatest fame came as part of Crosby, Stills & Nash, a supergroup he formed with Stephen Stills and Graham Nash that helped usher in the mature, reflective '70s.