This was the first real indication to the world that Keith Jarrett was an ambitious, multi-talented threat to be reckoned with, an explosion of polystylistic music that sprawled over two LPs. Using his classic quartet (Dewey Redman, Charlie Haden, Paul Motian) as a base, Jarrett occasionally adds the biting rock-edged electric guitar of Sam Brown and always-intriguing percussionist Airto Moreira, and indulges in some pleasant string and brass arrangements of his own, along with some grinding organ smears and acceptable soprano sax.
Recorded in mono, on September 25th, 1964, Miles's Quintet graces the stage of the Berlin Philharmonie, only a year after its opening. The previous CD incarnation of this date was virtually unlistenable, so the 2005 remaster is a revelation - the glare and fuzz is gone, and (despite the mono) each instrument is discretely defined and palpable; there is a minimum of background hiss - the sound is great, as it is on all the recent Sony/Columbia Miles remasters, and allows the performance to shine through - there is no question that if you own the late 80's/early 90's CDs you should acquire these new versions, not least for their generous extra tracks - here it's thirteen minutes of the unreleased "Stella by Starlight".
"Thief" is a soundtrack album by Tangerine Dream for the film "Thief", directed by Michael Mann. It reached No. 43 on the UK Albums Chart in a 3-week run.
"Ricochet" is the first live album by Tangerine Dream. The album was released in 1975. It consists of two long compositions mixed from taped recordings of the England and France portions of their fall 1975 European Tour. The sound of the album is similar to the group's other "Virgin Years" releases, relying heavily on synthesizers and sequencers to produce a dense ambient soundscape. "Ricochet" utilizes more percussion and electronic guitar than its predecessors "Phaedra" and "Rubycon", bordering on electronic rock. The principal innovation on the album is its use of complex multi-layered rhythms, foreshadowing not only the band's own direction in the 80s, but also trance music and similar genres of electronic dance music.
"Exit" is an electronic music album released in 1981 by the German group Tangerine Dream. The first track features an uncredited Berlin actress chanting, in Russian, the names of the continents of the world and pleading to end the threat of "limited" nuclear war, which was a potential danger facing the world during the late Cold War era in which the album was released. "Exit" reached No.43 in the UK, spending 5 weeks on the chart.
With the 1968 album Miles in the Sky, Miles Davis explicitly pushed his second great quintet away from conventional jazz, pushing them toward the jazz-rock hybrid that would later become known as fusion. Here, the music is still in its formative stages, and it's a little more earth-bound than you might expect, especially following on the heels of the shape-shifting, elusive Nefertiti. On Miles in the Sky, much of the rhythms are straightforward, picking up on the direct 4/4 beats of rock, and these are illuminated by Herbie Hancock's electric piano – one of the very first sounds on the record, as a matter of fact – and the guest appearance of guitarist George Benson on "Paraphernalia."