Grencso Kollektive Plays Monk

Esbjörn Svensson Trio - EST Plays Monk (1996) {ACT 9010-2 rel 2000}
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© 1996, 2000 ACT Music / Superstudio Gul | ACT 9010-2
Jazz / Post Bop / Progressive Jazz / Piano

Thelonius Monk was one of the truly great piano geniuses on the international jazz scene.Esbjörn Svensson is one of the truly great piano talents on the Scandinavian jazz scene.In some way you knew that they had to meet sooner or later. At last spiritually. And musically. "Plays Monk" is the telling title of the CD from 1996 by Esbjörn Svensson Trio (EST), now released on ACT. Ten of the most beloved songs by Monk, from nocturnal, lovingly caressing "`Round Midnight" to the gay and sprightly "Rhythm-A-Ning", gets here a becomingly shining new colour.

Hersch cites Monk’s “sense of structure, his sense of the beat and his sense of humor” as being influential. Hersch believes that making a solo Monk record, of which there are few, other than those by Monk himself, allowed him to be much more personal with the music.

The music of Thelonious Monk has long attracted musicians as fertile ground for improvisation, but Italian pianist Renato Sellani approached it in a very different manner. Choosing nine of Monk's most popular works, he tackled them as piano solos, emphasizing their inherent (but often overlooked) lyricism rather than turn them into show pieces for flashy arrangements. As a result, the listener is rewarded with Sellani's journey through these very familiar tunes, as the pianist retains the humor within many of them (though it is a bit more subtle); he gets more frisky with a brief, flashy introduction to "Monk's Dream" before settling down. There are two takes of "Ruby, My Dear" which both merited inclusion, while a second take of "'Round Midnight" adds tenor saxophonist Gianni Basso and trumpeter Fabrizio Bosso as the session's sole guests for a dramatic trio performance…

This reissue of a 1969 French date makes its very first appearance on CD and its debut as a U.S. release some 25 years after its original issue on the BYG label as Epistrophy. Plays Monk is also the first record Lacy made after taking up residence in Paris. His band for the outing features the legendary Italian drummer Aldo Romano, the pianist Michel Graillier, and bassist Jean-François Jenny-Clark. There are five unusually complex Monk tunes here - "Thelonious," "Ruby My Dear," "Light Blue," "Mysterioso," and "Friday the Thirteenth" - and two versions of "Epistrophy." This is easily Lacy's "straightest" album from the period, and he stays melodically and harmonically close to Monk's original compositions in the heads before taking off somewhere else in the solos…

Over the course of two albums, bandleader/composer/arranger John Beasley has reimagined Thelonious Monk’s iconic compositions through his inventive, versatile MONK’estra­ – a big band able to deftly navigate the legend’s eccentricities from a variety of perspectives, from boisterous swing to raucous funk to Afro-Cuban explosiveness. MONK’estra, Vol. 1 and Vol. 2 each garnered a pair of GRAMMY® Award nominations, alongside widespread critical acclaim. Beasley veers off in new directions on his stunning third album in the series, MONK’estra Plays John Beasley. As the title implies, this time out the band shifts focus to its fearless leader’s own estimable compositions and piano playing, alongside a quartet of Monk classics and a tune apiece by Duke Ellington and Charlie Parker.

On “Monk Suite,” the Kronos Quartet does a great tribute to Jazz pianist Thelonious Monk. Truly, it’s a perfect match. This project has today’s most inventive string quartet playing the cerebral and swingin’ music of Monk. As the second most recorded Jazz composer, Thelonious Monk themed projects are far from rare. That said, “Monk Suite” stands out because after all, it’s Kronos. Whether it’s Bill Evans or Philip Glass , the group has a way of making covers their own. Kronos starts things off with a fantastic ‘Well You Needn’t.’

Thelonious Monk (piano/arranger) began his illustrious relationship with Riverside Records on the pair of July 21 and 27, 1955, dates needed to complete the eight sides for Plays Duke Ellington (1955). Monk commands a trio that also presents the talents of Oscar Pettiford (bass) and Kenny Clarke (drums) on all the tracks sans "Solitude," which appropriately enough features an unaccompanied piano. The delicacy and inherently intricate melodies that Duke Ellington is best known for are perfectly matched to Monk's angular and progressive interpretations…