Grey Wolf, Grey Sea

Everything is alright now. Alex Brown Church — the man behind the dark folk, indie rock band Sea Wolf — wants you to know that from the start. Really. Sea Wolf’s eagerly anticipated fifth album and proves it in 11 textured, sometimes-acoustic, sometimes-electronic, unabashedly honest tracks.

This is the tragic story of the U-boats at war. Brave men fighting a losing battle against odds they could never hope to overcome. Out-numbered, out-gunned and out-thought, the U-boats were justifiably known to their crews as 'iron coffins'. Somehow the U-boat fleet rose to the challenge and even managed a brief flicker of success before their inevitable fate enveloped them.

This War Archive set of exclusive programs presents the most comprehensive and definitive archive of Germany's U-boats and their warfare strategies ever compiled as a series.

A new 4cd remastered clamshell boxed set celebrating the finest musical sounds of so-called progressive rock music of 1973.
Five hours of music featuring tracks by kevin ayers, edgar broughton band, budgie, camel, caravan, curved air, electric light orchestra, emerson lake & palmer, family, gong, greenslade, hawkwind, help yourself, manfred mann’s earthband, nektar, pfm, pink fairies, procol harum, nektar, anthony phillips, rare bird, renaissance, al stewart, traffic, darryl way’s wolf, yes & many more. The next release in the series of compilations celebrating so-called “Progressive” rock music concentrating on 1973, another year in which Progressive music in all its forms would continue to be a dominating force with the album buying public. Much of this music appeared on the “progressive” imprints of major record labels such as EMI’s Harvest, Decca’s Deram and Philips Records’ Vertigo and the emerging independent labels such as Charisma, United Artists and Island Records and led to an increasing presence of underground album music on BBC Radio One on its Sounds Of The Seventies and Top Gear programmes and on television on the iconic series The Old Grey Whistle Test.

A new 4cd remastered clamshell boxed set celebrating the finest musical sounds of so-called progressive rock music of 1973.
Five hours of music featuring tracks by kevin ayers, edgar broughton band, budgie, camel, caravan, curved air, electric light orchestra, emerson lake & palmer, family, gong, greenslade, hawkwind, help yourself, manfred mann’s earthband, nektar, pfm, pink fairies, procol harum, nektar, anthony phillips, rare bird, renaissance, al stewart, traffic, darryl way’s wolf, yes & many more. The next release in the series of compilations celebrating so-called “Progressive” rock music concentrating on 1973, another year in which Progressive music in all its forms would continue to be a dominating force with the album buying public. Much of this music appeared on the “progressive” imprints of major record labels such as EMI’s Harvest, Decca’s Deram and Philips Records’ Vertigo and the emerging independent labels such as Charisma, United Artists and Island Records and led to an increasing presence of underground album music on BBC Radio One on its Sounds Of The Seventies and Top Gear programmes and on television on the iconic series The Old Grey Whistle Test.

A new 4cd remastered clamshell boxed set celebrating the finest musical sounds of so-called progressive rock music of 1973.
Five hours of music featuring tracks by kevin ayers, edgar broughton band, budgie, camel, caravan, curved air, electric light orchestra, emerson lake & palmer, family, gong, greenslade, hawkwind, help yourself, manfred mann’s earthband, nektar, pfm, pink fairies, procol harum, nektar, anthony phillips, rare bird, renaissance, al stewart, traffic, darryl way’s wolf, yes & many more. The next release in the series of compilations celebrating so-called “Progressive” rock music concentrating on 1973, another year in which Progressive music in all its forms would continue to be a dominating force with the album buying public. Much of this music appeared on the “progressive” imprints of major record labels such as EMI’s Harvest, Decca’s Deram and Philips Records’ Vertigo and the emerging independent labels such as Charisma, United Artists and Island Records and led to an increasing presence of underground album music on BBC Radio One on its Sounds Of The Seventies and Top Gear programmes and on television on the iconic series The Old Grey Whistle Test.

As the rockers of the 1960s and 70s enter their dotage, we spend our idle hours wondering how they might be coping with the stresses and strains of modern-day life. Now that Jimmy Page has become Led Zeppelin’s self-appointed archivist, we often imagine him down the local vegetable patch, metal detector in hand, searching for hidden treasures. (He got a whole allotment of love.) But truth can be stranger than fiction. It’s a fact that Rod Stewart enjoys nothing better than to play with his model trainset. That Eric Clapton banishes the blues by going fly-fishing. That Ronnie Wood loves to pore over his vintage stamp collection. And that former Judas Priest stalwart KK Downing has hung up his guitar and retired to play golf. (“Swinging or dodgy?” as Norman Vaughan might ask.)