Groper Train : Wedding Capriccio

During the time of Johann Sebastian Bach, death was part of everyday life. The ensemble il capriccio and the countertenor Franz Vitzthum offer the Thomaskantor's musical perspective on life and death on their new GENUIN CD. The texts of the recorded arias and chorale arrangements by Bach deal with death, eternity and the promise of eternal life. The musicians juxtapose the works, some of which have been carefully arranged, with selected sections from the Art of Fugue. The result is an artistic and moving musical tapestry, interpreted by Franz Vitzthum and the ensemble il capriccio with intensity and sensitivity.

Even by the supremely high production standards of Alpha recordings, this issue is especially splendid. Entitled Versailles, L'ile enchantée, it fully lives up to its name. As directed by Skip Sempé, the widely varied program features music written for Louis XIV's pleasure palace, performed by the Capriccio Stravagante Orchestra with mezzo soprano Guillemette Laurens and bass violist Jay Bernfeld. Each work is superbly selected, and every performance is absolutely idiomatic and wonderfully alive. There is wit and tenderness and elegance and, yes, nobility to their performances, which taken together form as much a portrait of the Sun King as the palace of Versailles itself.

Jan Dismas Zelenka, court composer of August Elector of Saxony in Dresden, is steadily regaining his deserved reputation.In thi snew recording for Pan Classics, the accomplished young British countertenor Alex Potter succeeds in displaying a wide emotional range in selected works for alto solo: he dazzles with astounding virtuosity in the motet 'Barbara, dira effera' and soars in tender arcs of tension in his performance of the 'Christe eleison' from a late unfinished mass.

The Wedding Present have been unanimously despised by the British music press following a brief honeymoon period in the mid-'80s. When they announced their desire to issue a single a month for a whole year, one particularly caustic Melody Maker journalist pointed out that she now had two low spots in her monthly cycle to endure. It must also be said that RCA were not too enamored of the projected release schedule when David Gedge first put his idea to them. For many, though – including discerning onlookers like long-standing friend and supporter John Peel – The Wedding Present's single-a-month blitz in 1992 was one of the highlights of that year. The band were at their peak: They'd just recorded their best record, Seamonsters, with Steve Albini, and they were beginning to stretch their sound beyond the coy romanticism of old. However, the real joy of the singles – good as they were – was Gedge's esoteric choices for B-sides, including the Go-Betweens' "Cattle and Cane," Altered Images' "Think That It Might" (Gedge was a huge fan of their overlooked Bite album), and the Monkees' "Pleasant Valley Sunday." Diverting, original, and great fun.