Famous Groupies, who have been talked about as super high-level Paul McCartney followers, will release their new album in 2024 and will be their last! This album, announced as "the last album", was written by the late great-grandfather of the McKenzie family, Patrick McKenzie, and most of the songs were written in the early 1970s, most likely between 1969 and 1977.
A Scottish band with a crush on all things McCartney. Kirkcaldy McKenzie and the Famous Groupies are a kind of a mystery group and are heavily influenced by McCartney and Wings. "We are delighted to announce that our fourth and ultimately final album has been unleashed upon this world. We have spent these past 8 months working away on these 15 (technically 16) songs, and fruition has arrived. We set you free, Chameleon sessions…"
Famous Groupies, who have been talked about as super high-level Paul McCartney followers, will release their new album in 2024 and will be their last! This album, announced as "the last album", was written by the late great-grandfather of the McKenzie family, Patrick McKenzie, and most of the songs were written in the early 1970s, most likely between 1969 and 1977.
Famous Groupies have been busy. In 15 months, they’ve released three albums: their sparkling debut, Rehearsing the Multiverse; a compilation consisting of their debut album and unreleased material, Double Entendre; and their latest release, The Furry White Album. The Furry White Album continues to cull from the treasure chest of songs lead singer Kirkcaldy McKenzie has at his disposal, and it deservedly receives Hooks and Harmony’s 2020 Album of the Year.
Scotsman Kirkcaldy McKenzie is going through some old things of his grandfather, Patrick McKenzie, who was a session player in Scotland during the 60s and 70s. He discovers some half-written songs from the 70s - some were just ideas he had jotted down, and some were demos recorded on an old tape recorder. The younger McKenzie starts working on them, piecing them into coherent works and adding lyrics and music where they needed it, always keeping the era and his grandfather’s love of music foremost in his head. The result is an album entitled Rehearsing the Multiverse, and the band is Famous Groupies, named after one of Paul McCartney’s more eccentric songs. But there’s nothing eccentric about Rehearsing the Multiverse. It’s so reminiscent of that stress-free, life-on-the-farm McCartney era that you feel as if you’re listening to one of the former Beatles' lost albums…
As soon as it was released in 2020, Paul McCartney's follower who became a super high level, Famous Groupies' debut work ``REHEARSING THE MULTIVERSE'' has a new version with 15 bonus songs added! As the title is titled "DOUBLE ENTENDRE", this work has two faces. DISC1 records the debut work "REHEARSING THE MULTIVERSE" as it is, and DISC2 contains demos of the first album production, different versions of the first recorded songs, unreleased songs, etc. It's so high quality that you don't know why each song wasn't recorded! We invite you to Paul McCartney World where various types of songs such as power pop and folky are turning.
Stunning second album from this experimental German group. Within the space of 9 tracks they manage to sound like Led Zeppelin (check out opening number "Hobo!"), Uriah Heep, Genesis and Soft Machine in an excellent mixture of hard rock and surreal progressive music.
The first three cuts of CD 1 are the first traces of Cannonball in France. Today, they seem especially short to us. But the Adderley brothers were not the only ones playing on this Jazz at the Philharmonic tour organized by Norman Granz. Also on the trip : Coleman Hawkins, Benny Carter, Don Byas, Dizzy Gillespie, Stan Getz, Lalo Shifrin, J.J. Johnson. Sorry there is so little. The other five titles are from the April 15, 1961 concert.
Two changes in the rhythm section of this second Julian and Nat Adderley Quintet : Bobby Timmons is replaced by the English pianist-vibraphonist Victor Feldman (1934-1987) and, on one piece, the addition of then-unknown Ron Carter, which allows bass player Sam Jones (1924-1981) to show off on cello…
The first three cuts of CD 1 are the first traces of Cannonball in France. Today, they seem especially short to us. But the Adderley brothers were not the only ones playing on this Jazz at the Philharmonic tour organized by Norman Granz. Also on the trip : Coleman Hawkins, Benny Carter, Don Byas, Dizzy Gillespie, Stan Getz, Lalo Shifrin, J.J. Johnson. Sorry there is so little. The other five titles are from the April 15, 1961 concert.
Two changes in the rhythm section of this second Julian and Nat Adderley Quintet : Bobby Timmons is replaced by the English pianist-vibraphonist Victor Feldman (1934-1987) and, on one piece, the addition of then-unknown Ron Carter, which allows bass player Sam Jones (1924-1981) to show off on cello…
Stereolab took an unprecedented two years between 1997's Dots & Loops and 1999's Cobra and Phases Group Play Voltage in the Milky Night, as they tended to personal matters. During those two years, Stereolab's brand of sophisticated, experimental post-rock didn't evolve too much, even as colleagues like Tortoise, Jim O'Rourke, and the High Llamas tried other things. Since each Stereolab album offered a significant progression from the next, it would have been fair to assume that when they returned, it would be with a leap forward, especially since Tortoise's John McEntire and O'Rourke were co-producers. Perhaps that's the reason that the album feels slightly disappointing. The group has absorbed McEntire's jazz-fusion leanings – "Fuses" kicks off the album in compelling, free-jazz style – and the music continually bears O'Rourke's attention to detail, but it winds up sounding like O'Hagan's increasing tendency of making music that's simply sound for sound's sake.