Since bootleggers were fetching high prices for Van Der Graaf Generator rarities compilations from fans, VDGG leader Peter Hammill decided to compile ten of the best tracks and give them an official release. Since some of the tracks were never even completed, some present-day overdubbing was required, but according to Hammill in the liner notes, "all dubbing was completed in nine hours, in order to stay true to the spirit of the venture." And although the listener is warned that these are not studio quality recordings, the overall sound is consistently good. Besides, most of the people who would buy this album in the first place are the VDGG fanatics, who will be happy just to acquire this material. Most of the material is worthwhile and deserves to be heard, such as "The Liquidator," "Rift Valley," and "Coil Night" (why these strong compositions were never put on an album is a mystery)…
Six long years have passed since Bohren & The Club Of Gore released their last album with "Piano Nights". In 2020 the band finally presents its successor: "Patchouli Blue" is the band's eighth longplayer, the first album without drummer Thorsten Benning, who left the group in 2015. The trio has recorded eleven tracks, a unique mix of dark jazz, doom and ambient, as always instrumental, as always decelerated, another highlight in their discography.
This 2007 recording of J.S. Bach's Johannes Passion, featuring Concerto d'Amsterdam and the Flemish vocal ensemble La Furia, uses the 1725 version of the piece, which substitutes some movements (most noticeably the opening chorus) more staid than those of the 1724 version. That decision to go for restraint rather than passion carries over to the performance style, as well, which tends to be reserved and tastefully correct rather than stirringly dramatic. It couldn't be characterized as flaccid because there is certainly a high energy level when appropriate, but even in these sections the performers seem more concerned with brisk precision than with stirring the blood.