Grzybowski East West Trade

The East West Collective constituted one of the surprise hits of the 2013 Vision Festival in New York City. As their name implies the five strong outfit comprises improvisers from both the Occident and Orient. Their origin lies in French cellist Didier Petit's regular visits to the Far East, often with clarinetist Sylvain Kassap in tow, where he perceived a connection between Chinese traditional music and European improvisation. Guzheng player Xu Fengxia and koto exponent Miya Masaoka were invited to join for tours in France and America, and with the addition of reedman Larry Ochs (the "O" of the ROVA saxophone quartet, and a frequent collaborator of Masaoka), the East West Collective was born.

Symphonic thinking dominated Mieczysław Weinberg’s final decade, and these chamber symphonies are part of an interrelated sequence that reworks and cites earlier pieces. The Second Chamber Symphony draws on a string quartet from 1944, reflecting the sombre and fatalistic tone of the period. The Fourth Chamber Symphony was Weinberg’s last completed work, and uses a haunting chorale melody that he once referred to as a constant presence throughout his creativity. Weinberg’s First and Third Chamber Symphonies (8.574063) ‘blossom in vividly colourful performances’ (Pizzicato).