The first Brazilian performer to attain international stardom, singer and actress Carmen Miranda was born Maria do Carmo Miranda da Cunha on February 9, 1909 in Marco de Canavezes, Portugal, but she was raised in Rio de Janeiro from infancy onward. After quitting school, she began working at an area shop, where her habit of singing on the job brought her to the attention of a local radio station.
Two classic easy-listening albums by Paul Mauriat and His Orchestra, originally released in 1977 and 1978 on the Philips label, together on one CD and remastered from the original analogue stereo tapes for Vocalion's trademark crystal-clear sound.
The box contains a perfect overview of VIVARTE’s legendary catalogue of ancient music ranging from Vivaldi to Brahms. Most of the recordings received critical acclaim all over the world, many of them won prestigious awards and many are reference recordings.
Through his soft, lush instrumentals of the 1950s and '60s, he essentially created what became known as easy listening.
Percy Faith was one of the most popular easy listening recording artists of the '50s and '60s. Not only did he have a number of hit albums and singles under his own name, but Faith was responsible for arranging hits by Tony Bennett, Doris Day, Johnny Mathis, and Burl Ives, among others, as the musical director for Columbia Records in the '50s.
Essa é uma lista da discografia das escolas de samba do Grupo especial do Carnaval do Rio de Janeiro por ano de lançamento. A lista traz as faixas contidas em cada álbum e seus respectivos intérpretes e compositores. O primeiro álbum foi lançado em 1968 e desde então é produzido anualmente.
Jérôme Lejeune continues his History of Music series with this boxed set devoted to the Renaissance. The next volume in the series after Flemish Polyphony (RIC 102), this set explores the music of the 16th century from Josquin Desprez to Roland de Lassus. After all of the various turnings that music took during the Middle Ages, the music of the Renaissance seems to be a first step towards a common European musical style. Josquin Desprez’s example was followed by every composer in every part of Europe and in every musical genre, including the Mass setting, the motet and all of the various new types of solo song. Instrumental music was also to develop considerably from the beginning of the 16th century onwards.