Some years ago Austrian radio ORF started a series of recordings with polyphony from the renaissance on its own label. The ensemble The Sound and the Fury has recorded music by well-known masters like Nicolas Gombert, Pierre de la Rue and Johannes Ockeghem. But they have also paid attention to some forgotten composers of the 15th century. One of them is Guillaume Faugues. As so often there is quite a difference between his reputation in his own time and in modern times. It is very likely nothing of his oeuvre has ever been recorded before.
Recorded over 6 months in 1991 in Berlin and Dublin, Achtung Baby was U2's seventh studio album. It was produced by Daniel Lanois , Brian Eno and Steve Lillywhite and mixed and engineered by Flood. Led by "The Fly", Achtung Baby spawned four more huge hit singles, "Mysterious Ways", "One", "Even Better Than The Real Thing" and "Who's Gonna Ride Your Wild Horses". Heralded by Rolling Stone’s Robert Hilburn as "U2’s daring descent into darkness”, the album was awarded the Grammy for Best Rock Performance and became one of the most acclaimed rock records of the nineties and of U2's career. As Bono said at the time, it was “the sound of four men chopping down the Joshua Tree”.
Some years ago Austrian radio ORF started a series of recordings with polyphony from the renaissance on its own label. The ensemble The Sound and the Fury has recorded music by well-known masters like Nicolas Gombert, Pierre de la Rue and Johannes Ockeghem. But they have also paid attention to some forgotten composers of the 15th century. One of them is Guillaume Faugues. As so often there is quite a difference between his reputation in his own time and in modern times. It is very likely nothing of his oeuvre has ever been recorded before.
'U22' is a limited edition, live 2-CD set documenting their U2360° Tour from 2009 to 2011. For subscribers only, this double-CD comes packaged in a U2.com LP-sized 24-page book and will not become commercially available. On U2360° between 2009 and 2011, the band played 110 shows in 30 countries to 7 million people. There were at least 22 songs in the show every night, but over 26 months the set list was continually reinvented. By the last night more than fifty songs had featured, stretching from 2009's No Line On The Horizon all the way back to 1980's debut Boy. It was down to the subscribers of U2.com to decide on the 22 songs (via a vote) that appear on the 'U22'.
The Best of 1990–2000 is the second greatest hits compilation album by Irish rock band U2. The album was released on 5 November 2002 by Island Records, except in the United States where the album was released on the Interscope label as a single-disc CD compilation. The Best of 1990–2000 & B-Sides was released on the same day with a second disc featuring 14 of the b-side singles released from 1990 to 2000 and a bonus DVD with a trailer for the album and three other segments.
The Lost Crooners would be a great name for a band or, better still, a Roberto Bolaño novel. It's also the name of the enigmatic new trio recording by bassist Daniel Yvinec, just named next musical director of France's National Jazz Orchestra (2007). Seven of the originals on the disc were recorded, at one point or another, by that crooner par excellence, Frank Sinatra. But here the mystery begins. Sinatra's crooning goes back to his teen- idol days fronting the Tommy Dorsey Orchestra. "Crooning" itself evokes youthful exuberance, a romantic Zeitgeist. The music on this record alludes, instead, to the latter-day Sinatra: ruing the loss of that ephemeral innocence, with a dash of Brazilian world weary decadence, not unlike the taciturn and peripatetic poet/dope dealers in Bolañ'os The Savage Detectives.
Born in 1970, Guillaume Connesson has won several prestigious awards. His writing, thanks to an exceptional sense of rhythm and color, is of a very accessible language, even exciting, which has earned him great success, especially with the younger generations. The program of this double CD is the richest possible calling card of the composer's work: it contains his most beautiful pages of chamber music, interpreted by the very best of French soloists, including Eric Le Sage. (piano), Paul Meyer (clarinet) Jerôme Pernoo (cello), Florent Héau (clarinet) and the Parisii Quartet in particular.
The music of Guillaume Dufay is often said to lie on the boundary between medieval and Renaissance. It is complex in the manner of medieval polyphony, sometimes with multiple texts in different languages, and intricate rhyme schemes. Yet, in its evocative use of vertical sonority and its original texts in the songs, it approaches a manner of text-setting that you can recognize as modern. His chansons are not often recorded, so this release of 18 chansons from the Orlando Consort would be welcome on general principles; it has virtues considerably beyond that.