Guillaume de Chassy Faraway So Close

One spring Hiromi, who is the mother of an 11-year-old girl Tomo, left home for the umpteenth time. Tomo is accustomed to such a mother and as always went to Makio's place. He is a brother of Hiromi and has lived with Rinko, a pretty girlfriend. Actually, Rinko is a transwoman. She works as a caregiver in a nursing home where Makio's mother Sayuri who suffers from dementia is living. Rinko makes a delicious meal and sometimes cuddles Tomo. She is a little confused, but Tomo, Rinko and Makio start to live a life together. One day Rinko teaches Tomo to knit to control her temper. Rinko was also taught by her mother at the age of puberty when she struggled with her sexuality. A daughter neglected by her mother. A gentle uncle and his transgender lover. An angsty boy who recognizes a sense of himself as a gay - A warm "knitting" reorganizes unconventional family.

Tate McRae's third album opens with a warning: "Nah, seriously, get your hands off my man." Right away, you know that Tatiana is in control. Beyoncé has Sasha Fierce, Gaga had Jo Calderone, Nicki Minaj has countless onstage alter egos; McRae, who has described herself as a "pretty reserved Canadian," slips into this "feisty" and "obnoxious" (her words) character to leverage dance-floor sex appeal. And Tatiana comes with an A-list army: producer Ryan Tedder, guest stars including McRae's boyfriend Kid Laroi ("I Know Love"), and hit-making songwriters like Julia Michaels and Amy Allen (who have credits on Sabrina Carpenter's biggest hits as well as that aforementioned opener, the slinky slow roll "Miss possessive"). Their aim is true on So Close to What, but sometimes McRae's own firepower is a little lackluster.

So Close To What 21-Track Digital Deluxe Download with Alt Cover feat. acoustic versions of "Sports car", "It‚'s ok I‚'m ok", and "Greenlight" from Sirius XM live in LA available until 9p PT Thursday only.

This book examines in detail the formation of Canadian feature film policy from the 1950s to the present.

Tate McRae's third album opens with a warning: "Nah, seriously, get your hands off my man." Right away, you know that Tatiana is in control. Beyoncé has Sasha Fierce, Gaga had Jo Calderone, Nicki Minaj has countless onstage alter egos; McRae, who has described herself as a "pretty reserved Canadian," slips into this "feisty" and "obnoxious" (her words) character to leverage dance-floor sex appeal. And Tatiana comes with an A-list army: producer Ryan Tedder, guest stars including McRae's boyfriend Kid Laroi ("I Know Love"), and hit-making songwriters like Julia Michaels and Amy Allen (who have credits on Sabrina Carpenter's biggest hits as well as that aforementioned opener, the slinky slow roll "Miss possessive"). Their aim is true on So Close to What, but sometimes McRae's own firepower is a little lackluster.