Guitar King: Michael Bloomfield's Life in The Blues

Tyler Morris’ latest release, “Living In The Shadows”, is the powerhouse guitarist’s second Vizztone release in the Blues/Rock genre and his fourth release in total. “Living in the Shadows” was produced by Mike Zito (Royal Southern Brotherhood, Mike Zito Band), who says, “Tyler Morris is a very serious contender in the new world domination of Blues Rock Guitar players. He is fired up and fierce for a young man. His depth of musical knowledge knows no bounds and he is just coming into his own voice. Tyler will help bring back the glory of Electric Guitar to the masses.” Recording guests on this album include Blues legends Ronnie Earl, Joe Louis Walker and Mike Zito, as well as acclaimed vocalist Amanda Fish, who featured Tyler on her Blues Music Award winning album last year.

An excellent disc all around, available domestically and at domestic prices. The band is in a solid groove with the usual stomps, shuffles, good-time funk and delicious slow blues. During the last few years, Bassett has begun to sound less like '60s-era B.B. King and on this disc he seems to come into full bloom. The band, too, is full of first-class musicians. They draw from disperate sources and concentrate on laying down a tight foundation which lovingly supports Bassett's inventive single-string leads and chordal rhythm guitar work. In this day of gadgets and floor boxes, his sound is refreshingly clean and uncluttered and a pleasure to listen to. If you like straight-ahead electric blues, you can't go wrong with this disc.

The powers that be at Alligator were subjected to a fair amount of criticism for taking a 1977 album of standards that Otis Rush had cut in Sweden and overdubbing Lucky Peterson's keyboards to make the thing sound fuller and more contemporary. History, after all, should not be messed with. But it's still a reasonably successful enterprise, with Rush imparting his own intense twist to "I Miss You So," "You Don't Have to Go," and "Little Red Rooster."

Albums that combine live and studio tracks can, in some cases, be inconsistent. Some artists are so reliant on studio technology that they fall apart in a live setting; they sound stiff and awkward the minute they take the stage. And on the other hand, some artists are so fond of playing live that they become inhibited in the studio. But there is nothing inconsistent or uneven about Walter Trout's debut album, Life in the Jungle, a collection of live and studio recordings from 1989; on this release, the blues-rocker is as focused and inspired on-stage as he is in the studio. All of the tracks were recorded in Scandinavian countries; the live performances are from an appearance at the Midtfyn Festival in Denmark on July 2, 1989, while the studio material is from a session in Stockholm, Sweden, on June 21 and July 9 of that year.