Gyna Mcintyre

Ken McIntyre with Eric Dolphy - Looking Ahead (1960) {Prestige Japan VICJ-23636 rel 1991}
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© 1960, 1991 Prestige New Jazz / Victor Japan | VICJ-23636
Jazz / Post Bop / Avant-Garde Jazz / Saxophone / Flute

A legendary meeting of these two modernists – and a record that's filled with sharp-edged new ideas! Both Ken McIntyre and Eric Dolphy play alto and flute on the album – and Dolphy contributes a bit of bass clarinet as well – and the pair receive a bit of straighter backing than usual from a trio that includes Walter Bishop on piano, Sam Jones on bass, and Art Taylor on drums. The soulful undercurrent in the rhythm section is nicely offset by the free-thinking reed work of Dolphy and McIntyre – and the record's got a slyly sinister edge that still holds up extremely well over the years.

This obscure set features passionate blowing by Kalaparusha Maurice McIntyre (heard on tenor, flute, clarinet, bass clarinet and percussion) along with the little-known Longineu Parson on trumpet, flugelhorn, flute, sopranino and recorders, bassist Leonard Jones, and drummer King Mock…

Kalaparusha Maurice McIntyre - Forces and Feelings (1970) {Delmark DE-425 rel 1996}
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© 1970, 1996 Delmark Records | DE-425
Jazz / Post Bop / Contemporary Jazz / Modern Creative / Saxophone

Recorded in late 1970, this is McIntyre's second release for the Delmark label. Much like his first effort, Humility in Light of the Creator, Forces and Feelings projects a spiritual tone. While it is occasionally more relaxed than his debut, that's not to say this is McIntyre's mellow disc – far from it. Forces and Feelings has much in common with the otherworldly vibration Albert Ayler experimented with on his Impulse! date Music Is the Healing Force of the Universe, especially when comparing the vocals of Rita Omolokun with Mary Maria, Ayler's girlfriend/vocalist.

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Ken McIntyre - Stone Blues (1960) {Prestige New Jazz OJCCD-1818-2 rel 1993}
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© 1960, 1993 Prestige New Jazz | OJCCD-1818-2
Jazz / Post Bop / Avant-Garde Jazz / Saxophone / Flute

This early effort by Ken McIntyre (who doubles here on alto and flute) grows in interest with each listen. On a couple of his six originals (including a song called "Cornballs"), McIntyre slide humorously between notes but other selections are much more serious. McIntyre's sidemen are now somewhat obscure (trombonist John Mancebo Lewis, pianist Dizzy Sal, bassist Paul Morrison and drummer Bobby Ward) but they fit well into his conception which at this early stage was essentially advanced bop slightly influenced by the "new thing" music of Ornette Coleman. This interesting set has been reissued on CD.

The debut album from jazz musician Ken McIntyre, Looking Ahead was originally released in 1961 and features fellow Saxophonist Eric Dolphy alongside McIntyre. Included on the album are 5 McIntyre originals plus the George and Ira Gershwin penned standard “They All Laughed”.