It seems only fitting that the initial new release on the latest revival of the Impulse label features McCoy Tyner and Michael Brecker. When Impulse started out in 1960, John Coltrane and Tyner were the first artists to be signed, and when Impulse was briefly brought back by MCA in the 1980s, two of its most important albums were recordings by Brecker. There are not a lot of surprises on this quartet matchup (with bassist Avery Sharpe and drummer Aaron Scott) except perhaps for how well Tyner and Brecker mesh together.
After a decade-long absence, Russian pianist-composer Misha Alperin returns to ECM with his most fragrant release to date. He retains cellist Anja Lechner from the last session, Night, and rejoins his longtime ally, horn player Arkady Shilkloper. The deeper (if only for being the oldest) relationship of the two is with Shilkloper, who since 1990’s Wave Of Sorrow has been a constant companion throughout Alperin’s ECM tenure. In fact, the only piece not by Alperin on this album, “The Russian Song,” flows from Shilkloper’s pen in a lovingly arpeggiated duet for French horn and cello, with no piano between them. The remaining pieces comprise a mixed palette of solos, duos, and one trio. The latter, “Tiflis,” again features French horn, only now working a mournful charge between cells of piano and cello. It’s a stunning, lyrical voyage that works its subtle ways into the mind.