Crimson Gold presents M People ‘Gold’, the only M People compilation you’ll ever need. M People became one of the worlds biggest dance and pop groups from the 1990s, selling more than 11 million records, 2 Brit Awards and a Mercury Prize. Featuring the unmistakable voice of Heather Small joining Paul Heard, Shovell and founder Mike Pickering. This 3CD collection is a definitive career spanning set including famous remixes and dance tracks. The ‘Gold’ collection includes 42 tracks, including all their 20 top 40 singles. CD1 includes 9 of their top 10 singles; ‘Moving On Up’, ‘One Night In Heaven’, ‘Sight For Sore Eyes’, ‘Search For A Hero’, ‘Just For You’. CD2 includes further favourites ‘Renaissance’ and ‘Natural Thing’. CD 3 features remixes and club mixes.
"Several times, as I listened to M. Ward's Supernatural Thing, I asked myself what year it was. Was it 1952, and was I listening to a track from the Harry Smith Anthology? Was it 1972, and was I eavesdropping on the recording session for After the Gold Rush?No, it's 2023, and M. Ward is one of the special contemporary artists who invite such questions. Ward has clearly mastered the whole vocabulary of American popular music and made serious decisions about how to employ it for his own ends.
At The Mercy Of Manannán" is the third album from Irish progressive rock group, M-Opus, and their finest, most incisive yet. As with all their albums, this hypothetically 'comes from' a year in rock history, 1972, with the sound and production that implies. From lush, symphonic rock, to blazing, virtuosic instrumentals and lavish melodic tracks, the album aims to be nothing less than a 'new classic'. Composed by Film/TV composer Jonathan Casey (David Cross Band) and a new member of the band, guitar virtuoso PJ O'Connell.
From their earliest days as a band, the members of R.E.M. always had a Keen sense of how they wanted to be perceived visually, even when it sometimes seemed as if they didn’t want to be seen at all…
Monster is indeed R.E.M.'s long-promised "rock" album; it just doesn't rock in the way one might expect. Instead of R.E.M.'s trademark anthemic bashers, Monster offers a set of murky sludge powered by the heavily distorted and delayed guitar of Peter Buck. Michael Stipe's vocals have been pushed to the back of the mix, along with Bill Berry's drums, which accentuates the muscular pulse of Buck's chords…