House 1985

An isolated farmhouse is chosen as a hide-out by Jim and Charlie after an armed robbery. The Deleye family are forced to accept the situation under Jim's brutal domination. Badly wounded Charlie, a gentle character, takes Lisa's room but keeps …

A school boy finds a time machine and he helps Alisa, a scientist girl in the future, to save a mind-reading device from space pirates. Chased by the pirates and followed by Alisa he saves the device bringing it back to his own time.

A school boy finds a time machine and he helps Alisa, a scientist girl in the future, to save a mind-reading device from space pirates. Chased by the pirates and followed by Alisa he saves the device bringing it back to his own time.

Scrappy, willful, and fiercely self-reliant spitfire hoyden automobile mechanic Tomasina 'Tommy' Boyd develops a huge crush on cocky race car driving dreamboat hunk Randy Starr after meeting Randy at a party held at a jerky rich guy's house.

A group of careless and unlucky drivers are sentenced to attend traffic school to keep their records clean. Mistreated by inept and cruel police instructors, a smart-alecky teen leads the group in revenge against their tormentors.

This exclusive video collection is jam-packed with the gritty best from noted New York filmmaker Richard Kern. His sexually-charged work has been alternately dismissed as “violent” and “offensive” by the mainstream press, but embraced by the underground as the perverse standard. Says Kern, “I've tried it all: crime thrills, drug thrills, sex thrills. Nowadays, I get most of my thrills by offending people with my films. I don't even have to be there. I can sit far away and think, “Someone's watching my video right now and thinking, Yeeughh!”

Sheldon Bart is a drifter, and a small-time con man. He meets his old friend, Brother Bud, a big-time con man into faith healing and fencing stolen cars, at his revival tent outside a small town. While he's helping Brother Bud, he falls in love with Arlene, a local supermarket clerk who believes in UFOs and is deeply religious and deeply lonely. When Arlene has a vision of a coming UFO, everyone deals with it in their own way.

Bart Vegter (1940-2011) was self-taught and derived his primary inspiration from the methods of filmmakers such as Frans Zwartjes and Paul de Mol, and experimental cinema from the 1970s and 1980s. Before starting to shoot abstract films at age forty, Bart Vegter graduated from the Eindhoven University of Technology and worked at the laboratories of Shell and Philips. His oeuvre may be modest in size, but it excels in its eye for detail and craftsmanship. During the early years, he worked with traditional animation techniques. However, his last few films such as Nacht-Licht [Night Light], Space-Modulation and Forest-Views display a more idiosyncratic style attributable to the software he wrote.

A series charting the life and explaining the work of modern artists Picasso, Matisse, Dali and Warhol, and looking at their influence on contemporary art, design and architecture.