Giovanni Maria Legrenzi is no longer the household name it was during the 17th and 18th Centuries. Lengrenzi's shameful neglect by the record industry has been hard to fathom, but this new Divox release of his chamber oratorio «The death of the Repentant Heart» could well launch the much-needed revival for the Venetian master - a composer who took over where Gabrieli and Monteverdi left off. Legrenzi, better known for his operas than his religious works durîng his lifetime (1626-1690), was widely admired (and copied) all over Europe.