Hail Caesar 1994 Dvdrip Xivd Ac3 Rarbg

Hailing from Indianapolis, Caesar Frazier (spelled ‘Ceasar’ from time to time) was a funky soul-jazz organist who recorded several albums for the Eastbound/Westbound label family during the ‘70s. In addition to recording on his own, Frazier also played keyboards in Marvin Gaye’s backing band. Collaborations with contemporaries were numerous and to this day Frazier’s legacy is still alive through samples & remixes from outfits such as ‘Gang Starr’ and ‘Arrested Development’. In 1972 Frazier cut his first album ‘Hail Ceasar’, which featured musicians commonly associated with the Prestige label’s jazz-funk outings — Melvin Sparks (guitar), Houston Person (tenor), and Idris Muhammad (drums).

It is usually the big nineteenth-century opera sets that are bought for their singers; but with a line-up of principals such as we have here Handel too is swept into the golden net. Lucia Popp, two years into her career after her Vienna debut, Christa Ludwig, Fritz Wunderlich, Walter Berry: that is a quartet which in its time may have seemed no more than standard stuff, but at this date looks starry indeed. […] The Orfeo, for one thing, is sung in German instead of Italian; it has cuts, though many fewer than the Mackerras recording in English with Dame Janet Baker; it has the solo voices recorded very close indeed (those that are supposedly off-stage are just about where many modern recordings would have them except when off-stage); and the orchestra sounds, to our re-trained ears, big and thick, with the heavy bass-line that used to seem as proper to Handel as gravy from the roast was to Yorkshire pudding.

The great Australian countertenor, Graham Pushee with the Australian Brandenburg Orchestra directed by Paul Dyer, stuns us all in this program of favorite arias by Handel.

This eight-disc set includes odes and theater pieces; and Gardiner's performances are more than excellent. He synthesizes the spare delicacy and ceremonial grandeur of Purcell's music in performances that are very satisfying.

Rumbling, generic hard rock/metal, the record's primary distinction being that it was one of the first of its kind. Touches like the harpsichord on the ballad "Lake Isle of Innersfree" made it clear that the band was interesting in more than bombastic boogie…