This intriguing Angel Air release spotlights two albums produced in the wake of punk rock and seemingly destined to be overlooked in the history of heavy rock. Fandango developed out of that other seminal seventies heavy rock outfit, Warhorse. Nick Simper, original bassist for Deep Purple, joined with ex-Warhorse guitarist Peter Parks along with drummer Ron Penny and vocalist James Proops. Their first album, “Slipstreaming” was recorded and originally released on a small German label in 1979. The second album, “Future Times”, was recorded and released the following year with Mac Poole, former Warhorse drummer, replacing Penny. Now available for the first time on CD, this release includes two singles and bonus tracks never before available on CD. As ever, this package is completed by comprehensive liner notes and band photographs. The album is a must for any fan of British Rock and a real gem for any collector of Deep Purple related items.
Manifesto is the sixth studio album by Roxy Music, and was released in March 1979 by E.G. in the UK, Polydor in Europe and by Atco Records in the US. Following an almost four-year recording hiatus, Manifesto was Roxy Music's first studio album since 1975's Siren. The first single from Manifesto was "Trash", which barely made the UK top 40. However, the second single, the disco-tinged "Dance Away", returned the band to the top 3, beaten to no.1 for two weeks from 26 May 1979 by Blondie's "Sunday Girl". Regardless, it became one of the band's biggest hits and was also the 9th best-selling single in the UK in 1979.
Prior to Lovedrive's recording, the Scorpions' lineup had a major change when their lead guitarist, Uli Jon Roth, quit the group (not to mention, the rock genre was rapidly changing). With this in mind, the band not only highlighted the album with the licks and riffs of three guitarists (Rudolf Schenker, Michael Schenker, Matthias Jabs), but they also dramatically changed their style to sound more like that of Van Halen…
Bobby Rush was a journeyman blues singer, most famous for the novelty hit "Chicken Heads." On this album, however, he took his decades of his experience and his close study of Howlin' Wolf and made an urban blues album for his times, incorporating touches of Philadelphia soul, street-corner harmonies, and the rhythms of the pulpit. He tackled modern injustice ("Evil Is") alongside Seventies sexual mores ("I Can't Find My Keys"); Rush Hour was the first album in a sequence of ever-stranger "folk-funk" explorations. What We Said Then: "Rush Hour is so weird that it's a wonder George Clinton didn't think of it first. . .What emerges is outrageous and stunning. . .In a time when most black pop music sounds machine crafted, this record is more than an anomaly. Rush Hour is a tribute to resilience–a sign that the lessons Howlin' Wolf and his peers learned and taught have been neither lost nor forgotten. You're going to need something like this to get you through the Eighties".
With her expressive soprano voice employing sudden alterations of volume and force, and her lyrical focus on Los Angeles street life, Rickie Lee Jones comes on like the love child of Laura Nyro and Tom Waits on her self-titled debut album…
6CD Box Set comprising the first five original studio albums plus exclusive bonus CD of demos, live tracks and non-album material, housed in a custom maroon and gold picture box with with a superb illustrated and detailed 28-page band chronology booklet!
Perhaps better known to most as a successful New Zealand, (and NZ's most successful band and hugely popular in NZ and Australia) new wave act from the early 1980s. Split Enz did in fact start life as a prog band formed in 1972 originally spelt Split Ends (the spelling changed to Enz when the band left New Zealand), by friends at Auckland University Phil Judd (Guitar, vocals) and Brian (Tim) Finn (Vocals, piano, guitar), who had an inspired period of song writing together. Their early sound was a mixture of vaudeville and influences of the Beatles, Genesis, Yes, Roxy Music, Jethro Tull and Gentle Giant…
In response to criticism that her records weren't "country" enough, Harris recorded Blue Kentucky Girl, one of her most traditional outings. Relying on a more acoustic sound, the album largely forsakes contemporary pop songs in favor of standard country fare, including the Louvin Brothers' "Everytime You Leave" and Leon Payne's "They'll Never Take His Love from Me."…
With Breakfast in America, Supertramp had a genuine blockbuster hit, topping the charts for four weeks in the U.S. and selling millions of copies worldwide; by the 1990s, the album had sold over 18 million units across the world…
Boxer were a rock band formed by keyboardist Mike Patto and guitarist Ollie Halsall in 1975. They signed to Virgin and three albums followed, Below the Belt (1975), Absolutely (1977) and Bloodletting (1979), which also featured Bobby Tench and Boz Burrell. The band dissolved after Absolutely when Patto became ill…