Handel Edición 65 cd

“[These suites] have rarely been recorded or promoted by harpsichordists during the most recent revival of interest in ‘early music.’” I realize that Richard Egarr is entitled to his own opinions—his liner notes on an earlier release, for example, likened the humor in Purcell’s harpsichord music to that of the wonderful old 1950s BBC comedy The Goon Show —but he’s not entitled to his own facts. Christopher Brodersen pointed out in a 2011 review of these works featuring Laurence Cummings ( Fanfare 34:5) that ArkivMusic listed nine complete sets played on the harpsichord, with several others on the piano. I find some of the suites have considerably more recordings than that, in 2014: 26 for the Suite in A Major, 28 for the Suite in D Minor, 25 for the Suite in E Minor, 47 for the Suite in E Major. If such numbers reflect rare recordings, I have to wonder what Egarr would consider a moderate number, let alone a frequent one.

Such stalwarts as Christopher Hogwood, Marc Minkowski, John Eliot Gardiner, and Nicholas McGegan tackled Handel's early oratorio La Resurrezione before Emmanuelle Haïm, but hers may well be the most passionate performance of the once-rare work yet recorded. Part of the reason is Haïm's own fiery nature. Nothing here is merely filler: every aria, recitative, and interlude is played for maximum musical and emotional value. Part of her success is due to Haïm's choice of soloists. While some listeners might wish soprano Camilla Tilling brought more strength to her part, she and the other four soloists bring plenty of intensity to their singing.

The Great Classics series from Naxos is the perfect introduction to myriad genres of classical music. Comprising both complete and compiled selections from the greatest works in the repertoire, the boxes are bursting with wonderful pieces of music, both recognizable and unfamiliar. The boxes take the listener on a thrilling tour of some of the worlds most dramatic musical media, encompassing music from six centuries and featuring sensational performers. All boxes come with a fascinating booklet with detailed information on the genre itself, chronological placement of each work, and a comprehensive study of the music. A fitting celebration of 25 years of superb music from Naxos, the worlds favourite classical label.

Racha Arodaky (French pronunciation: [ʁaʃa arɔdaki]) is a Syrian/French pianist born in Damascus. She studied at the Conservatoire de Paris in the class of Dominique Merlet. After receiving her premier prix de conservatoire at age 16, she went to study at the Moscow Conservatory with Yevgeny Malinin. She has also studied with Murray Perahia.

Planxty, curiously no official live recordings until 2004, at that memorable concert turned into a DVD.

The box set 83:13, represents an innovative and bold new commitment of White and Black, as it is not common in the sector risk publish a work of this size, with 15 CDs in one box. But the label has chosen to make an effort: this album 83:13 wants to be a tribute and reminder of the past 30 years creating, editing, distributing dance music in Spain and in the world and has a comprehensive collection of topics that monitors progress dance music published by the company.