Handel Edición 65 cd

Handel's 'Brockes Passion' has had rather a bad press, suffering rather in comparison with Bach's passions. In fact, Handel's 'Brockes Passion' was written written at about the same time as 'Esther', some eight years before Bach wrote the St. John Passion. One of the subsidiary impulses which led to the creation of 'Esther' may have been a desire, on Handel's part, to hear some of the music from the passion performed as 'Esther' re-uses some nine numbers and others were re-used in 'Deborah'.

Natalie Dessay is one of great delights of the opera world today and her recordings have all been excellent. This however ,in my opinion , is her best disc to date. Her voice is so suited to the music. My only hope is that if a production of Giulio Cesare comes to Royal Opera House they cast Natalie Dessay . The conductor (Emmanuelle Haïm) and Orchestra (Le Concert d'Astrée) bring the music alive. This disc is 65 minutes of sheer joy.

Baroque Masterpieces - collection of Baroque music in the best performance in the company Sony BMG DHM Artenova. One of the best collections of Baroque music! The greatest works - the legendary performance! Baroque music is a style of European classical music in the period from about 1600 to 1750. The Baroque era follows the Renaissance and the Classical period precedes. The main in this music was an expression of emotions. Baroque music - this violence and ecstasy, in contrast to the confidence and independence of the Renaissance.

The chamber cantata flourished in Italy as a counterpart to public opera and oratorio, cultivated by aristocratic patrons for their personal enjoyment. Perhaps because of its essentially private origins, this pervasive Baroque form remains little known today. During his years in Italy (1706-1710), George Frideric Handel composed nearly 100 cantatas for a series of important patrons, but they have tended to be passed over in favor of his larger operas, oratorios, concertos and orchestral suites. The plan of La Risonanza to perform and record all of the cantatas with instrumental accompaniment (about one-third of the total) is therefore of signal importance for all music lovers, as it will bring this extraordinarily beautiful music once again to life (2006-2009).

This 3 CD set represents the first complete recording on period insruments of Handel's 'Semele'. Written at the peak of Handel's powers, and derisively described at its premiere by one critic as "no oratorio but a bawdy opera", this theatrical entertainment is crammed with Handel's most sparkling music: spectacular orchestral numbers and powerful choruses combine with heart-stopping arias, including the popular 'Where'er you walk'.

Pure delight: two of Britain’s most exciting singers together with one of the most vibrant of the English period bands, in a collection of wonderful duets from Händel’s English oratorios and odes. Both Carolyn Sampson and Robin Blaze collaborate with Masaaki Suzuki in his recordings of Bach Cantatas, for which they are receiving high praise. ‘Sampson's rounded, lyrical, glowing tone is just what I want to hear in the warm-hearted soprano cantata O holder Tag’ said the critic in International Record Review about BIS-CD-1411, whereas The Times, UK, has described Robin Blaze as being ‘blessed with a most alluring countertenor – creamy in tone, naturally expressive, exquisitely controlled…’.

I Solisti Italiani is a chamber string orchestra consisting of about 12 players, known particularly for their spirited readings of works from the Baroque and Classical periods. They have performed and recorded much Vivaldi over the years and have devoted nearly as much effort to the works of Handel, Mozart, Mendelssohn, and Rossini…

The complete oeuvre runs to 38 CDs, which will now be packaged in seven boxes. Some may mistrust any classical project that describes itself with the word "marathon," but the endless variety of Scarlatti's sonatas compels the skeptic to make an exception; a complete set turns up any number of deliciously bizarre pieces like the Sonata in A minor, K. 3, from the Essercizi per gravicembalo (CD 1, track 3), with its cascades of five-note runs meandering out into strange chromatic lines.