Handelsblatt 9 11 Dezember 2016 Pdf

Complex re-release of the most remarkable and worldwide sought after series The Dark Side Of The Moog by German electronic pioneers Klaus Schulze and Pete Namlook (aka Peter Kuhlmann) in three slip lid boxsets, each with 5 CDs, incl. bonus material and new linernotes. The third box contains Vol. 9 to Vol. 11 and two bonus CDs. The relationship between Klaus and Pete and the exchange of ideas was unorthodox from the beginning of their co-operation, in that they rarely met personally. The most remarkable contacts they had were outside of their studios, for instance their concert of April 1999 at the Jazz Festival in Hamburg , which was released as an edited version on 'Dark Side Of The Moog, Vol.8' (will be released in the second Boxset) - the interplay and chemistry between them is clearly evident, and it becomes even clearer on the un-edited version of the concert (which will be released as bonus CS on the third boxset).

The album series "Die Einlassmusik" from Schiller started in 2004. The music is exclusively composed for the regular live tours from Schiller and is played there as pre-show introduction to make the waiting time for the audience more pleasant. All albums are (officially) only sold at the merchandising area of each concert and the online Schiller Shop.

Beethovens opus of 32 piano sonatas, known as the New Testament of piano music, is a landmark in piano literature. Spanning Beethovens entire life, the sonatas reflect his whole development as a human being and a musician, moving from one century into the next, from one epoch in music in to another. With the sonatas Pathétique, Moonlight, Waldstein, Appassionata, Hammerklavier and the final sonata op. 111, the cycle contains some of the most known piano pieces of all time. Now, for the first time in its history the complete cycle was performed at the Salzburg Festival. For this challenge the Festival asked no less than the world-renowned and influential Beethoven expert and pianist Rudolf Buchbinder. With more than 45 performances of Beethovens complete sonata cycle in concert halls all over the world and his relentless drive to discover new details and facets in the sonatas through meticulous study of the scores, Buchbinder has set new standards in the interpretation of Beethovens works (Bayerischer Rundfunk). Includes two concerts featuring sonatas Nos. 2, 9, 15 (Pastoral), 27, 23 (Appasionata), 11, 20, 8 (Pathétique), 25, 21 (Waldstein), 30, 31, 32.

Rufus Wainwright has popular-song chops and an ambitious streak (see his opera), so it makes sense that he’d want to set Shakespeare’s sonnets to music. On Take All My Loves, he even provides multiple interpretations of individual pieces. "Sonnet 43" is first arranged for spoken vocals and flinty electronics before it’s presented with orchestral sweep and operatic singing. “Unperfect Actor (Sonnet 23)” tilts into adult-contemporary rock, while other tracks have a progressive folk feel. Throughout, Wainright’s sonic diversity complements the range of literary devices that reside in the Bard's source material.