Hapmoniym Magical Power Mako

For all the many recordings of Duffy Power in the 1960s and the '70s that eventually found release, his 1973 album on the GSF label (sometimes reported to have come out in 1972) was the only full-length Power LP that came out shortly after the material it contained was recorded. Confusingly, another album titled Duffy Power came out around the same time on the Spark label, though that LP contained tracks recorded in the late '60s. The Duffy Power album on the GSF label was entirely different, and has received relatively little attention even among his cult followers, in part because so much other Power material was reissued on CD prior to the record finally coming out in the compact disc format in 2007.

With a history 50+ years in the making, Tower of Power has been a funk institution since 1968, knocking out hits like “What is Hip,” “So Very Hard to Go,” “This Time It’s Real” and “You’re Still a Young Man" while lending their soulful sound to collaborations with Santana, the Grateful Dead, Elton, Huey Lewis, Justin Timberlake and everyone in-between. "50 Years of Funk & Soul - Live at the Fox Theater" captures their storied career with no-holds-barred victory lap concerts in Oakland, CA, performing their full spectrum of life-affirming funk and soul hits to sold out audiences in 2018. Available as a 3-LP set, 2-CD/1-DVD package, standalone DVD and digital audio configuration, these historic performances include alumni special guests Chester Thompson, Lenny Pickett, Francis ‘Rocco’ Prestia, Bruce Conte and Ray Greene.

The Power Station is the debut album by the supergroup The Power Station, released in 1985 on Capitol Records. The album peaked at no. 6 on the US Billboard 200 and no. 12 on the UK Albums Chart. All three singles released from the album were Top 40 hits in the United States. An anniversary edition was released 21 February 2005, featuring 7 bonus tracks, as well as a 35-minute DVD. The Power Station was a supergroup formed by Robert Palmer, Tony Thompson (of Chic) and Andy and John Taylor from Duran Duran. They came together in 1984 to record a one-off album, as a respite from the relentless global touring and promotion of Duran Duran. The original plan for this one-album project was for the three musicians (Taylor, Taylor and Thompson) to provide musical continuity to an album full of material, with a different singer performing on each track.

Duffy Power (1941-2014) was among Britain’s first wave of late 50s rock’n’rollers, a protégé of impresario Larry Parnes alongside Billy Fury, Marty Wilde and Georgie Fame. In 1963, a musical epiphany saw him become one of Britain’s greatest bluesmen – an intensely soulful singer, songwriter and harmonica virtuoso whose career thereafter would be a rollercoaster of amazing recordings, off/on record deals, and periods of withdrawal before bowing out of music-making in 1973. In the mid-60s, Duffy recorded with future members of Cream, Pentangle and the Mahavishnu Orchestra. He never had any problem impressing fellow musicians, but a wider appreciation of his work would only come in the CD era.

Stepping back from its 1979 disco foray, Tower of Power dropped out of sight for the better part of a decade, as internal strife and member changes ripped the band asunder and the Tower of Power Horns spent more time backing other musicians. Returning to the studio in 1986 with only Steve Fulton and Willie James Fulton held over from the earlier regime, the band recorded the shaky TOP LP (different from a similarly titled 1993 date). Initially released only in Sweden, the album was trimmed of two tracks, retitled Power, and racked in America the following year. But even the rejigging couldn't help what ultimately emerged as an uninspired and mediocre set, showcasing musicians who sounded like they really didn't care anymore. It was a feeling that was only reinforced by their fans – the album was the first to miss the charts since their 1970 debut.

Vol. 3 of Lawrence Power's survey of the complete Hindemith work for viola features a cluster of works written for viola and orchestra in the short time between 1927 and 1930. Though Hindemith did not write a traditional concerto in the classical sense, the Op. 48 Konzertmusik, Kammermusik No. 5, and Der Schwanendreher each put the viola's abilities at the forefront of the orchestra. His personal knowledge of the instrument's technical, lyrical, and emotive abilities become quickly apparent as the viola is made to scurry around as nimbly as a violin in Konzertmusik, as emotionally rich as a cello in Trauermusik, or as colorful and evocative as a piano in Der Schwanendreher. All of these many moods are captured effortlessly by Power. His playing balances the clarity needed to execute agile passagework with the richness and depth needed for more lyrical sections. What's more, Power never gives the appearance of trying to make the viola sound like a violin; instead, he celebrates the viola's idiosyncrasies and transforms them into a rich, satisfying tapestry of sound. Joined by the BBC Scottish Symphony Orchestra under David Atherton, Vol. 3 of Power's hefty undertaking is just as worthwhile and engaging as the previous two and is certainly worth checking out.

The Super Deluxe Edition contains 75 audio tracks across 7 CDs, of which 47 are previously unreleased, including 33 studio tracks from Prince’s legendary Vault. • The Super Deluxe Edition opens with Prince & The New Power Generation’s multi-platinum album, Diamonds And Pearls, dazzlingly remastered for the very first time by Prince’s original mastering engineer Bernie Grundman. Also included are 15 of the incredible remixes and B-sides from the era, including the never commercially released “Gett Off (Damn Near 10 Min.)” mix, all of which have also been remastered for the very first time. At the heart of the set sit 33x previously unreleased studio recordings from Prince’s legendary Vault, making up three hours of audio. The set also includes an entire previously unreleased audio recording of Prince & The New Power Generation’s preview performance of the Diamonds And Pearls tour at Prince’s Minneapolis club, Glam Slam, on January 11th, 1991.

Ghost Power are Jeremy Novak [Dymaxion] and Timothy Gane [Stereolab, Cavern of Anti-Matter and Turn On]. Duophonic Super 45s have previously released music by both artists - Novak via a Dymaxion compilation album and 7", Gane via various Stereolab, Cavern of Anti-Matter and Turn On releases. Having previously released a limited edition 7" in 2020, Ghost Power by Ghost Power brings the two musicians together for a full length album. The tracks were recorded in Berlin and New York, both remotely and with Novak and Gane working together in each city.