Seven years and three albums on from their debut (not counting the older tapes dusted off and given belated release as 3 and 3 Quarters), Radio Moscow haven't changed a whole lot - these guys still sound like they've passed through a time portal en route to a gig at some psychedelic ballroom in 1969, and after warming up their amps and burning down some weed, they're ready to bring the rock to the people. Radio Moscow have once again put their allegiance to the high life front and center, with a large psychoactive mushroom towering over the horizon under a giant rainbow on the front cover of 2014's Magical Dirt. However, Radio Moscow have made one fairly important upgrade with Magical Dirt - instead of bandleader Parker Griggs handling both guitar and drums in the studio through the magic of multi-tracking, as he's done on their previous albums…
These first reissues in Virgin Veritas’s new Hilliard Edition mark a belated tribute to one of the most enduring names of the early music scene, and the long-awaited return to the catalogue of some of its finest work. English music often has the knack of bringing out the best in The Hilliard Ensemble, so it is appropriate that three of the present batch of discs are devoted to the period when English music was at its most influential, the early- to mid-fifteenth century. Last year’s Gramophone Early Music Award, given to a recording of the music of John Dunstable by the Orlando Consort (Metronome, 2/96), was actually the second time the composer has been so honoured: The Hilliards’ disc won the award in 1984. Nearly 15 years on, it is more than worthy to stand alongside its successor.
James Last was a German big-band leader with a large fan base in Europe, although he never had a comparable following in the United States. Last's trademark was arranging pop hits in a big-band style; his series of "party albums" became equally well-known. Over the course of his career, he sold well over 50 million albums…
Produced by Ian Brennan, the Tanzanian Albinism Collective offers a glimpse into music that comes from the heart and soul of a group of people, who up until now have been almost completely under represented and “unheard.” The resulting album is in turns beautiful, emotional, harrowing, fascinating and most importantly, completely “human.”