Hapworth 16, 1924

Dziga Vertov, whose renegade approach to cinema is best remembered in the legendary Man with the Movie Camera and his series of Kino-Pravda newsreels, demonstrates his mastery of montage in this 1924 feature previously unseen in the United States.

Orlac is a world famous pianist. One day he is badly hurt in a big train wreck. He is in danger of losing both his hands so his wife begs the doctors to save them.

Reuniting the star and director of Das Cabinet des Dr. Caligari, The Hands of Orlac [Orlac’s Hände] is a deliciously twisted thriller that blends grand guignol thrills with the visual and performance styles of German Expressionism.
Based on a novel by medical-horror novelist Maurice Renard, it charts the mental disintegration of a concert pianist (Conrad Veidt) whose hands are amputated after a train crash, and replaced with the hands of an executed murderer. When Orlac’s father is murdered by the dead man’s hands, Orlac begins a steady descent towards madness.

Reuniting the star and director of Das Cabinet des Dr. Caligari, The Hands of Orlac [Orlac’s Hände] is a deliciously twisted thriller that blends grand guignol thrills with the visual and performance styles of German Expressionism.
Based on a novel by medical-horror novelist Maurice Renard, it charts the mental disintegration of a concert pianist (Conrad Veidt) whose hands are amputated after a train crash, and replaced with the hands of an executed murderer. When Orlac’s father is murdered by the dead man’s hands, Orlac begins a steady descent towards madness.

Reuniting the star and director of Das Cabinet des Dr. Caligari, The Hands of Orlac [Orlac’s Hände] is a deliciously twisted thriller that blends grand guignol thrills with the visual and performance styles of German Expressionism.
Based on a novel by medical-horror novelist Maurice Renard, it charts the mental disintegration of a concert pianist (Conrad Veidt) whose hands are amputated after a train crash, and replaced with the hands of an executed murderer. When Orlac’s father is murdered by the dead man’s hands, Orlac begins a steady descent towards madness.

Side project by Luca Anzilotti & Michael Munzing, which they started in 1986 and had a big success with their first single "Where Are You?". Sven Vath was only guest vocalist for "Where Are You?" and co-writer of the track "Too Fast To Live".

Denver alt-country band known for brooding songs reminiscent of Nick Cave and the Gun Club. Their music often invoked religious imagery dealing with conflict, redemption, punishment, and guilt through David Eugene Edwards's lyrics and the heavy use of traditional bluegrass, gospel, and Appalachian instrumentation cross-bred with rock. Collection includes: Sackcloth 'n' Ashes (1996); Low Estate (1997); Hoarse (1998); Secret South (2000); Folklore (2002).

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