The grand Arp Schnitger organ in St. Jacobi (Church of St James) in Hamburg is remarkable in several respects. This instrument with four manuals boasts of the largest extant inventory of original pipes from thensixteenth and seventeenth centuries, and the Trompete 16’ in the great organ is the very oldest of its kind. Harald Vogel, the Nestor of the Northern German organ tradition and the recent recipient of the Buxtehude Prize of the Hansa City of Lübeck, presents this magnificently restored organ in conjunction with an unusual Hamburg “family reunion”.
Buxtehude began his activity at St. Mary’s Church exactly 350 years ago, and the City of Lübeck fittingly commemorated this anniversary by awarding this year’s renowned Buxtehude Prize to organist Harald Vogel. Matched by no other musician, Vogel has distinguished himself both in historical organ playing in general and with Buxtehude’s oeuvre in particular. To celebrate this occasion, MDG is now releasing a highly interesting new edition containing all of Buxtehude’s works from the Codex E. B. of 1688 and including - as a surprising rarity - the recording premiere of a sonata with obbligato gamba.
A superb combination at this live event, held 1991 in Cologne. The two musicians joined their forces to create an outstanding work of Berlin School / rhythm and drum music. 3 long pieces show a good expresion of the evening. Overall, a synth album with plenty of live atmosphere, an attractive and unusual emphasis on live drums, and involving variations from abstract to highly integrated sounds.
Already an obscure record when it was initially released in 1980, Harald Grosskopf's Synthesist has become something of a cult item, the kind of album that inspires devotion in aficionados of early electronica and German music. Grosskopf himself has kept steadily busy as a solo musician and session drummer since the late '60s, being associated with early lineups of the Scorpions and Wallenstein and working with Lilli Berlin and Cosmic Jokers, among many others. But despite his long underground career, his debut solo Synthesist may ultimately stand as his defining work and as a key representation of the path of electronic music.
Harald Grosskopf is a legendary drummer who was among the first (if not the first) to play drum together with sequencers. He was a regular guest on albums by Klaus Schulze in the second half of the seventies. After he’d joined Ashra, the band headed more into a rock direction, never forgetting their electronic roots. Steve Baltes became a member of Ashra in the nineties. His electronics gave the pioneers a modern approach. Axel Manrico Heilhecker is considered on of Germany’s leading guitarists. They already work together as Sunya Beat (Harald and Axel) and N-Tribe (Harald and Steve).
"Four Times Three" (4x3) is released under their own names. The four tracks on "Four Times Three" all have traces of the great classic Ashra albums…