Harriet Müller

Harriet Müller-Tyl is a singer and song teacher from Ås outside Oslo. She sings, teaches song and musical, composes and prepares concerts 24 hours a day. And she loves it! The year 2019 is devoted to composing and releasing her own pop-jazz songs, and the performance of "The Book of Dreams" which she co-wrote Myfanwy Moore and Trond Nielsen in Å's musical club. She is also writing a new musical that is scheduled to premiere in 2020.

Act III of François-Frédéric Guy's Beethoven Project. On the programme: Beethoven's complete music for cello and piano with cellist Xavier Phillips, recorded by Nicolas Bartholomée at the Arsenal in Metz. In 2008 Guy embarked on a major Beethoven project that has included recording and performing in concert all 32 Beethoven Sonatas and the 5 Piano Concertos. Guy is a dedicated chamber musician and he regularly performs Beethoven’s chamber music for strings and piano as well, with Tedi Papavrami and Xavier Phillips. As part of the Beethoven project, Guy has performed the complete cycle of 32 Sonatas in Washington, Paris, Monaco and recently at the Festival Berlioz in La Côte-Saint-André (August 2013). Born in Paris, Xavier Phillips started playing the cello at the age of 6. His encounter with Mstislav Rostropovitch proved especially fruitful since it marked the beginning of a long collaboration during which Xavier Phillips received the guidance and encouragement of the master cellist.

'The masterpiece of our time in the trio genre' is how Robert Schumann described Mendelssohn's Piano Trio in D minor when he reviewed the work upon its publication in 1840. Comparing it to the trios by Beethoven and Schubert, Schumann continued: 'a very beautiful composition, which in years to come will continue to delight our grandchildren and great-grandchildren.' And so it has the D minor trio remains one of the most popular of Mendelssohn's chamber works, uniting the composer's gift for melody with his feeling for textures and formal mastery. A few years later he penned the Piano Trio No. 2 in C minor between February and April 1845. An intensely emotional first movement is followed by a blissful Andante espressivo and a shimmering, truly Mendelsohnian Scherzo. The Finale returns to the passionate mood of the opening, but in the course of the movement hymn-like allusions appear and lend an air of sacred celebration to the movement. These two highpoints in the Romantic repertoire for piano trio are here performed by the young Sitkovetsky Trio.

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