Haynes Mini R50

"Tumbleweed Connection" is the 3rd studio album by English singer-songwriter Elton John. It is a concept album based on country and western/Americana themes. All songs are written by John and Bernie Taupin, with the exception of "Love Song" by Lesley Duncan. The album was recorded at Trident Studios, London, England in March 1970 and released in October of the same year. It peaked at #2 on the UK Albums Chart and #5 on the US Billboard 200 chart. In the US, it was certified Gold in March 1971 and Platinum in August 1998 by the RIAA. In 2003, "Tumbleweed Connection" was ranked #458 on Rolling Stone magazine's list of the 500 greatest albums of all time.

"Madman Across the Water" is the 4th studio album by Elton John, released in 1971. This was the last album to feature John's regular touring band (Dee Murray and Nigel Olsson) on only a single song. Later band member, percussionist Ray Cooper, makes his first appearance with this album. As with all John songs during this period, the lyrics were penned by his writing partner, Bernie Taupin. This was the last album to be recorded at London's Trident Studios, although subsequent albums would be remixed or overdubbed at Trident. Caleb Quaye and Roger Pope would not play with John again until Rock of the Westies in 1975, following Murray and Olsson's departure from the band. "Madman Across the Water" barely reached #41 on the UK Albums Chart, spending only two weeks there. It has been the lowest-charting album of his career to date. The album fared much better in North America, peaking at #8 on the US Billboard Top Pop Albums and placing at #10 on the year-end list of 1972.

DameWare Mini Remote Control (MRC) is one of the best values in remote control software available today. MRC is licensed by the number of help desk technicians your organization has and not by agent or end-point. It has been used for more than 10 years by thousands of IT admins to seamlessly connect to remote servers, desktops, and notebooks.

DameWare Mini Remote Control (MRC) is one of the best values in remote control software available today. MRC is licensed by the number of help desk technicians your organization has and not by agent or end-point. It has been used for more than 10 years by thousands of IT admins to seamlessly connect to remote servers, desktops, and notebooks.

This double-length set, not the "legendary" four-LP Carnegie Hall concert, is the one to get to hear what Chicago sounded like in their classic early period. In contrast to the Carnegie Hall show, where the band emphasized its precision to the point of deadening any excitement that might have been generated, here Chicago sounds upbeat and lively, bent on giving a good, exciting show and not on capturing a perfect performance. There are moments, as on the crescendo of "Dialogue," where the spirit outstrips the cleanness of the performance, but the group is so tight and forceful that one lets them slide by; at other times, as on "Beginnings," they're so smooth and lithe in their extension of the piece that one just wants to bask in it; and then they switch gears to the rougher, harder "Mississippi Delta City Blues," and make that work too. The whole performance is good, with a steady stream of worthwhile high points.

No Carole King album could ever be called bad - she's simply not capable of turning in songs that are anything less than melodic and expertly crafted & structured. One to One, however, found her in non-experimental mode. Past albums had explored country (Touch the Sky), R&B (Fantasy), and nostalgia (Pearls). But One to One was straight-up, no-frills singer/songwriter fare, close in spirit to Tapestry but without that album's iconic status. The production has the easy, unchallenging mid-'70s feel of Simple Things, and the personnel supporting King here is largely the same.

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"Speeding Time" is an album by American singer-songwriter Carole King, released in 1983. King's 13th album in 14 years, "Speeding Time" was poorly reviewed and was her first album not to chart. Following the album's release, King did not record again for six years.