Heinde Haas

Their recording of the American Quartet and String Quartet No. 13, Op. 106 (Gramophone Award - Recording of the Year), elevated the Pavel Haas Quartet among the finest performers of Antonín Dvorák's music. This position was subsequently confirmed by a recording of the composer's quintets, made with the violist Pavel Nikl, a founding member of the ensemble, and the pianist Boris Giltburg, winner of the Queen Elisabeth Competition. The album received the most coveted classical music accolades (Gramophone Chamber Award, BBC Radio 3 Record Review Discs of the Year, Diapason d'Or, etc.). While recording the Dvorák quintets, the logical idea of a Brahms album was born.

The most popular Dvořák’s chamber repertoire performed by one of the world’s most exciting string quartets..

FonoForum 05 / 09: »Auf einem außerordentlich klangschönen Cembalo von Jean-Henry Hemsch (1751) trägt Frédérick Haas die Suiten 1 und 5 aus dem ersten sowie die Suiten 6, 7 und 8 aus dem zweiten Buch von François Couperin vor. Sehr gut gelingen ihm dabei die eleganten, geschmeidig inegalen Seiten dieser anspruchsvollen Musik, etwa in den berühmten ›Baricades mistérieux‹ oder den gleich darauf folgenden ›Bergeries‹.«

The Vienna Philharmonic, who have premiered four out of Bruckner's '9 Symphonies' are familiar to his music unlike any other orchestra. With Christian Thielemann they have one of the few Bruckner experts on their side. Bruckner (1824-1896) was an Austrian composer best known for his 'Symphonies', 'Masses' and 'Motets'. Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler.