In 1956, a year before Miles Ahead, singer Helen Merrill hired the nearly forgotten arranger Gil Evans to write charts for a dozen songs on one of her record dates. In 1987, they had a reunion, and 11 of the 12 numbers (with "Summertime" taking the place of "You're Lucky to Me") were recorded again. Rather than just a re-creation album, this project found Evans writing fresh arrangements, utilizing three very different ten-pieces: one with a woodwind quintet, another with six horns, and a third that included five strings. This inspired outing, one of the most rewarding sets of Helen Merrill's later years, was also one of Evans' last great dates and one of his few post-1972 classics. 57 at the time, Merrill is in superb form on such numbers as "Where Flamingos Fly," "A New Town Is a Blue Town," "By Myself" and "Anyplace I Hang My Hat Is Home."
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Tribute album that focuses more on songs played by Parker, as opposed to focusing primarily on songs composed by Parker. Rein de Graaff - Pianist. Dutch self-taught pianist who's made himself one of Europe's best session players. De Graaff led a trio from 1959 to 1962, then joined The Jazzopters for a year. He then headed his own quartet until 1964, at the same time playing with Erwin Some and Gijs Hendriks. De Graaff formed a new group in 1964 that stayed together until the '80s.
Helen Merrill dates are always something special. This set for Metrojazz, which has been reissued as a Verve CD, matches the cool-toned yet inwardly heated singer with an all-star sextet arranged by Quincy Jones and featuring solos by trumpeter Kenny Dorham and either Frank Wess or Jerome Richardson on flute and tenor. The repertoire includes versions of "You Go to My Head" and "Just Squeeze Me" sung in French, a couple of numbers by producer Leonard Feather, Duke Ellington's "The Blues From Black, Brown and Beige," and a haunting rendition of "The Thrill Is Gone."
Phil Woods is at the peak of his powers during these 1997 sessions for Venus, leading his regular quintet (Brian Lynch, Bill Charlap, Steve Gilmore, and Bill Goodwin) through a set of songs he's played for decades, along with some originals likely written for this outing. The alto saxophonist navigates Charlie Parker's "Chasin' the Bird" and "Charlie's Wig" with the finesse of the master that he is. The interplay between the leader and Lynch in the former tune indicates that the younger musician is a force to be reckoned with. They also work well together in the dissonant "Israel," long a favorite of boppers. Woods' unaccompanied introduction to "Everything Happens to Me" is simply breathtaking. Woods is also a fairly prolific composer…