Henry Plummer

Laura, una madre single, in compagnia del goffo figlio quattordicenne Henry è costretta a portare in giro per la nazione l'estraniato padre Jack, appena buttato fuori dall'ennesima casa di riposo. Il viaggio prende una piega imprevista quando Jack decide di fare un paio di fermate non previste ed Henry chiede di vedere Leonard, il padre buono a nulla.

A wonderfully groovy set – every bit as great as you might guess from the title and the cover – and the very first installment in the now-legendary Mood Mosaic series! The set's one of the few to bring together tunes from the groovier side of the spectrum at the end of the 60s – work from British, French, American, and German sources – all awash in a great blend of funky, easy, and pop-oriented modes! There's a nicely trippy feel throughout – and titles include "Hascisch Party" by George Garvarenz, "Kiss This" by Claude Denjean, "Acka Raga" by Shocking Blue, "Mas Que Nada" by Luiz Enriquez, "En Melody" by Serge Gainsbourg, "Love For Sale" by Marian McPartland, "Batucada" by Phil Crewe, "Marins Armins Amant Ou Maris" by Michel Legrand, and "Sitar Beat" by Klaus Doldinger. © 1996-2024, Dusty Groove, Inc.

2016 marks 400 years since the death of Shakespeare and to commemorate, Decca is pleased to offer this compilation of music and spoken word. The first half includes musical works inspired by works of the bard. The second half is devoted to a selection of Shakespeare's most famous speeches from his plays and sonnets in recordings by such acclaimed actors as Vanessa Redgrave, Dame Peggy Ashcroft, Sir John Gielgud, Christopher Plummer and many more.

"That's What Friends Are For" is an album by American singers Johnny Mathis and Deniece Williams that was released in 1978 by Columbia Records. The project was a continuation of the pairing of the artists that began on his previous LP, "You Light Up My Life", which included "Too Much, Too Little, Too Late", the duet that was on its way to #1 on three different charts in Billboard magazine as the recording sessions for this album got underway. On July 20 1978, "That's What Friends Are For" received Gold certification from the Recording Industry Association of America for sales of 500,000 copies in the United States, and it debuted on Billboard's list of America's Top LP's & Tapes shortly thereafter, in the issue dated July 29, for the start of a 16-week chart run that took the album to #19. That same issue also marked its debut on the magazine's Black Albums chart, where it remained for 11 weeks and peaked at #14.