Does the name Sigiswald Kuijken mean anything to you? How about his brother Wieland Kuijken? How about the name of the string quartet they founded together with François Fernandez and Marleen Theirs in 1986, the Kuijken Quartet? No? It's not surprising. Although the players are among the finest Dutch period instrument musicians, with the Kuijken brothers having been frequent partners with harpsichordist Gustav Leonhardt, the Kuijken Quartet has made only a few recordings for the Japanese Denon label, all of which got poor circulation outside of Japan and Europe and most of which have long since gone out of print.
Mixed chamber music programs are altogether rarer than those which include a series of pieces in the same genre. Thus it is more common to encounter an entire CD devoted to Mozart's string quartets or to his chamber works featuring winds. The Lindsay's, however, offer us one of Mozart's best-known quartets coupled with the gorgeous Oboe Quartet and still-underappreciated Horn Quintet.
… In 1983 the Grand Prix Academy Charles Cross was received in Paris for the recording of Martinů's Quartet Nos. 4 and 6. The Panocha Quartet places particular emphasis on Czech music especially the works of Smetana, Dvořák, Janáček and Martinů. Its extensive repertoire also included many Viennese classics, notably many of the quartets of Haydn…
The four Mozart flute quartets make up a nicely tidy CD, and the Nash Ensemble's neat and pointed playing make it an enjoyable one too. Philippa Davies is a pleasure to listen to, clean and unusually even in tone, a tone which is round and full but not in the least watery; lively and rhythmic in her articulation. And the string players give firm, indeed sturdy support.
Although chronologically the last to be issued, this collection includes some of the best performances from the tapes which would produce the albums Cookin', Relaxin', Workin', and ultimately, Steamin'. A primary consideration of these fruitful sessions is the caliber of musicians – Miles Davis (trumpet), Red Garland (piano), John Coltrane (tenor sax), and Philly Joe Jones (drums) – who were basically doing their stage act in the studio. As actively performing musicians, the material they are most intimate with would be their live repertoire. Likewise, what more obvious place than a studio is there to capture every inescapable audible nuance of the combo's musical group mind. The end results are consistently astonishing.