Hermit's Peak

Herman's Hermits were one of those odd 1960's groups that accumulated millions of fans, but precious little respect. Indeed, their status is remarkably similar to that of the Monkees and it's not a coincidence that both groups' music was intended to appeal to younger teenagers. The difference is that as early as 1976, the Monkees began to be considered cool by people who really knew music; it has taken 35 years for Herman's Hermits to begin receiving higher regard for their work. Of course, that lack of respect had no relevance to their success: 20 singles lofted into the Top 40 in England and America between 1964 and 1970, 16 of them in the Top 20, and most of those Top Ten as well. Artistically, they were rated far lower than the Hollies, the Searchers, or Gerry & the Pacemakers, but commercially, the Hermits were only a couple of rungs below the Beatles and the Rolling Stones.

Herman's Hermits were never taken seriously, not when they were having hits in the '60s and not in the decades since. This indifference makes Bear Family's decision to release a celebratory 50th Anniversary Anthology all the more surprising: not only is it a rare dip into the British Invasion for the American roots-besotted label, but the act seems too frivolous for their tastes. Sometimes, the double-disc The Best of Herman's Hermits: The 50th Anniversary Anthology does feel a little light, particularly on the earliest recordings when the group is mincing through "Mrs. Brown You've Got a Lovely Daughter," but the set – produced and compiled by Ron Furmanek, who presents all takes in true stereo for the first time (there are eight exceptions to this rule), and annotated by Andrew Sandoval – is smartly assembled, so it gains momentum as it proceeds headlong through its 66 tracks.

EMI Records presents 40 classic tracks from the 60s including songs from The Beach Boys, The Mamas & The Papas, Gary Lewis & the Playboys, Manfred Mann, Gerry & The Pacemakers and many more.

The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States and significant to the rising "counterculture" on both sides of the Atlantic Ocean. Pop and rock groups such as the Beatles, the Rolling Stones, the Who, the Kinks, the Dave Clark Five, Herman's Hermits, the Hollies, the Swinging Blue Jeans, the Animals, Gerry and the Pacemakers, and the Searchers were at the forefront of the "invasion".

Spanning 55 years and 45 songs, a 2CD collection to ratify Manchester’s claim to be Britain’s second – if not at times, first – musical city. From primal beat through promiscuous punk, high 80s disco/soul and pure baggy to proud and proper rock, the evidence is all here.

“In the whole of pop, he’s the only man I can think of that has unnatural powers, who really knows what will hit and what won’t. He hardly misses. Under pressure, he wins out every time.” Nick Cohn